Reviving San Diego's Rock Renaissance
The challenges of the COVID-19 pandemic have spawned a thousand new flowers of socially distanced creativity — and the artists of the Che Underground are tending their mind gardens for your delectation.
Case in point: This latest effort from P-Touch All Stars, which gives an old favorite a new cinematic treatment (with a little help from the Library of Congress’ film archives).
(Manual Scan/Lemons Are Yellow vet Paul Kaufman recognizes a man who set the pulse of the scene.)
Many contributors to Che Underground: The Blog have already mentioned David Anderson, a legendary figure in our musical history. To recap, he made major contributions to The Gravedigger V, The Answers, Manual Scan, The Crawdaddys, The Trebels and I Spy. This vast resumé reflects the fact that Dave was already a formidable drum talent by his early teens. At one point his kick drum read, “Your Band Name Here.”
But Dave was much more than just a guy behind the drum kit. Answers bandmate David Fleminger says, “I first met Dave (I think he was 13) when he was playing with I Spy. He’s an amazingly energetic and innovative talent who can lay down a foundation beat like no one else. A fantastic bandmate with a great sense of humor.”
“David Anderson? A legend!” Manual Scan co-founder Bart Mendoza recalls. “Some of my fondest tour stories involve him. We once snuck all our friends into the General Public shows we were opening in San Francisco and had one of the best parties ever. I remember playing bumper chairs as beer was spilled all over the floor of our dressing room at The Kabuki Theatre and the night getting pretty rowdy. David nearly caused a riot in Las Vegas because he went commando onstage. He played a squeaky-toy solo at the Mabuhay Gardens in San Francisco.
Aside from rock-‘n’-roll music and tattoos, flyer art was one of the highest forms of expression in our circle. Today, the Che Underground flyer gallery welcomes new show pieces from the collection of Dave Fleminger.
“The Greenwich Village West one is a Kristen Tobiason work (including initials),” Dave writes, “the Che is Kristin Martin’s (initials again), the Pandoras gobble is mine, and the Rain Parade/Tell-Tale Hearts is certainly one of the most inscrutable of Jerry Cornelius’ flyers.”
The recent invocation of legendary San Diego scenester Bobo reminded me that Bruce Haemmerle donated an extremely valuable curio to the Che Underground collection: recto and verso scans of an actual invitation to BoboStock, Dec. 22, 1982, which featured what eyewitnesses say was a definitive performance by the Answers.
While my own association with the band didn’t begin until March 1983 at the Che Cafe, this event lingered in Bobo hagiography for many years. Here’s an opportunity to amass recollections about the man and the music that shaped a generation.
Here’s another helping of sonic steak Tartar, to borrow Dave Rinck’s evocative phrase: Noise 292 serving up a very raw version of Bob Dylan’s “Subterranean Homesick Blues” at the Headquarters in Pacific Beach, August 26, 1983 (opening for the Pandoras and the Answers). This was the first Noise 292 lineup, and this number features Kristin Martin on bass; David Rives, guitar; Hobie Hodge, trash percussion; Joanne Norris, drums; Matthew Rothenberg, vocals and S&M tambourine (with which I raised a big hematoma on the heel of my hand every time we played this song). Leighton Koizumi (later of the Gravedigger V and the Morlocks) made his live rock-‘n’-roll debut playing electric violin on “Heroin” that evening, although Wendell Kling also took over violin duties when he replaced Hobie on percussion.
I always enjoyed how this cover threw a bunch of our noise-rock, art-rock, punk and garage influences into the Cuisinart and basically hit “purée”! (Can anyone identify the voice of the girl talking about her calculator at the beginning of the track? I keep wondering if she ever got it back.)
Whacky…yeah we had a lot of parties. Most of you got laid or arrested there.
Pretty quickly we learned that most of our friends were cool, some were knuckleheads, and then we knew a few named Dave. Dave Rinck was our inspiration here…so rather than castigate them we decided to celebrate them…hence the 3 different parties called Dave Fest.
The first was The Wallflowers, Manual Scan, and the Tell Tale Hearts. That was the Hearts’ first gig if I remember correctly. That one was broken up when Arturo of SDSH used a Mission Hills mod I had a feud with as a battering ram and broke the toilet…whence we learned the rule “always put the keg outside.”
Dave Fest 2 was promoted quite a bit more widely, finally resulting in radio DJs in SF and LA announcing in for a week, bands from LA calling asking to be allowed to play…and yeah…that was broken up too when the guy we brought in to do security told all his friends to come and a couple of them had just got out of jail that day…they kinda ran amok, but they were not Red and White. Just SDSH associates.
That one was the Wallflowers, and the Hearts again, the Answers, and The Pandoras (they never got to play but they got paid)
I called the cops on that one myself. It was out of hand.
Dave Fest 3 was 10 bands for $10 at Che Cafe…get the keg out of the bathroom, and take it to the other end of town! Too many bands to name, but we had Noise, Hair, Hearts, Flowers, and on and on. I left town after that one.
Door policy at the house parties was as follows:
$3 admission, $2 if you wore your sunglasses after dark, and FREE if your name was Dave.
We had a lot of great times at 2866 E St. Many of our friends came to live there for extended periods of time. My mom (the much loved Linda) and I sat down and counted all the kids who at one time or other actually lived there (not just staying for the weekend) and it was over 26 names. You know who you are and are still loved.
Ironically after all the wild times I had with all of you, my little brother’s friends moved in after I left for SF and they ended up looting the house. Nobody would believe that this was my brother’s friends doing…it had to be me. Funny.
BTW I am throwing another party March 13 here in Watsonville to open my new studio. I mailed out 400 invitations and personally invited another 200 people. You are all invited too. Drop me a note and I’ll give you directions.
I still have the bug…heheheheheheheheh The local chamber of commerce actually sent me a flyer on “how to throw a successful party”. LOL
BEZEEYINGYOU
Help me reconstruct the back story on these photos, which come from a set of snapshots I’m betting were taken on Nov. 17, 1983, when Noise 292 played the Che with Hair Theatre and 11 Sons. Near as I can make out, Jeff Lowe is playing bass with Hair Theater that night, while Dave Fleminger is drumming for Noise 292 … Or was this a show when Sergio was fronting the Answers?
Oh! And Jeff and I seem to be playing the same bass in these pictures … Was that his? ‘Twasn’t mine or Kristin’s.
This site and blog will be the gathering spot for us to assemble the inside story on the vibrant scene that flowered in San Diego around 1983 and 1984 and performed many of its most crucial shows at UCSD’s Che Cafe.
This “Che Underground” encompassed the varied sounds of the Answers, Hair Theatre, Noise 292, the Rockin’ Dogs, and the original and definitive Wallflowers. It spawned collaborations and friendships that have lasted a quarter-century. But it produced few artifacts and monuments, since the participants were frankly too busy enjoying the creative milieu to document it systematically.
We plan to change that. Welcome to the Che Underground!