Sheldon’s After Dark

Detail: Sheldon’s placemat(A sentimental epicurean journey by Manual Scan/Lemons Are Yellow veteran Paul Kaufman.)

Regardless of where the show was, chances are the night would end up at Sheldon’s, the Eisenhower-era styled, non-conglomerate “family” restaurant that once loomed large in the all-night dining Pantheon of San Diego. Most memorable for me were items with descriptions like “Large 24 oz. Malted Milkshake, Thick and Creamy, $1.25” and “Demi-loaf of home-baked bread, served here with butter, 75 cents.” Those Thick and Creamies became a significant part of my diet, and one of their original ashtrays still is on the mantle. Also iconic was their placemat, with postwar cartoon depiction of San Diego’s highlights.

My first time was after the first Manual Scan show at the London Tavern.

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Noise 292: “Subterranean Homesick Blues”

Detail: Matthew Rothenberg, Noise 292Here’s another helping of sonic steak Tartar, to borrow Dave Rinck’s evocative phrase: Noise 292 serving up a very raw version of Bob Dylan’s “Subterranean Homesick Blues” at the Headquarters in Pacific Beach, August 26, 1983 (opening for the Pandoras and the Answers). This was the first Noise 292 lineup, and this number features Kristin Martin on bass; David Rives, guitar; Hobie Hodge, trash percussion; Joanne Norris, drums; Matthew Rothenberg, vocals and S&M tambourine (with which I raised a big hematoma on the heel of my hand every time we played this song). Leighton Koizumi (later of the Gravedigger V and the Morlocks) made his live rock-‘n’-roll debut playing electric violin on “Heroin” that evening, although Wendell Kling also took over violin duties when he replaced Hobie on percussion.

I always enjoyed how this cover threw a bunch of our noise-rock, art-rock, punk and garage influences into the Cuisinart and basically hit “purée”! (Can anyone identify the voice of the girl talking about her calculator at the beginning of the track? I keep wondering if she ever got it back.)

Listen to it now!

The Che Underground