Miss Kristi’s Top 10s for San Diego ‘It’ Girls

Detail: Kristi Maddocks dancing (photo: Cyndie Jaynes)(Everybody Violet founder and SD scenestress extraordinaire Kristi Maddocks contributes practical tips for female food ‘n’ frolic in the San Diego underground.)

Author’s note: I have so much to say about the Che Underground, but I didn’t know where to start. So I began with the obvious: Being a female in the scene put you at a bit of a disadvantage … Even if you were smart and had creative contributions to make, the better sex was still received, perceived and judged on its looks and physical persona first and foremost.

Even though the sexual revolution had occurred in the ’60s-’70s, ironically feminism wasn’t a player in the retro mod/psyche scene of early-’80s San Diego. I was as guilty as the next girl for using my legs as a personal weapon or batting my big eyes at the boys in the band. Heck, these maneuvers got me in the door — and definitely helped me get deep into the scene and later helped me front my own band, Everybody Violet.

Read moreMiss Kristi’s Top 10s for San Diego ‘It’ Girls

The Wallflowers: “Rubber Room”

Paul, Tommy, Dave and Aaron of the Wallflowers, ca. 1983While we’re all in a Wallflowers frame of mind, here’s another Phase One Wallflowers gem freshly excavated after a quarter-century beneath the Canadian permafrost. “Rubber Room” is essential Wallflowers material,” writes bassist Paul Howland. “This one and ‘Funland’ (along with any of the many Stooges cover tunes) encapsulate the Wallflowers sound nicely.

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Cyndie Jaynes: An evening with the Wallflowers

Detail: Paul Howland, Wallflowers (photo by Cyndie Jaynes)Cyndie Jaynes’ amazing gift to Che Underground: The Blog continues giving with this wonderful series of photographs from a late-era Wallflowers concert featuring Todd Lahman on guitar and Matt Johnson on drums. As always, Paul Howland (pictured in these photos) and Dave Rinck loomed large in the lineup.

MC/guest vocalist Jerry Cornelius, Tony Sanchez, Kristi Maddocks, and Audrey Moorehead also make the scene. What was the venue? The little picket fence and trellis evokes a freaky ice-cream parlor vibe. Who can ID this magic moment?

Detail: Todd Lahman, Wallflowers (photo by Cyndie Jaynes)Detail: Matt Johnson, Wallflowers (photo by Cyndie Jaynes)Detail: Jerry Cornelius fronts the Wallflowers (photo by Cyndie Jaynes)Detail: Kristi Maddocks dancing (photo: Cyndie Jaynes)Detail: Audrey Moorehead at the Wallflowers (photo by Cyndie Jaynes)Detail: Tony Suarez at the Wallflowers (photo by Cyndie Jaynes)

Noise 292: “Stupid Future”

Detail: Kristin Martin/Hobie Hodge of Noise 292Today marks the 25th anniversary of Noise 292’s first performance: May 26, 1983, at the Che Cafe with the Answers and the Odds. I can think of no better way to celebrate that silver anniversary than with a powerful performance by the brilliant Kristin Martin.

“Stupid Future” showcases everything that was so special about Kristin’s songwriting and performing, even at 19: arresting hooks, great lyrics and fantastic vocals. She’s one of the most innovative creative forces I’ve ever had the privilege of collaborating with.

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The Cyndie Jaynes Collection, Part One

Detail: Jerry and Sergio at Murphy’sWhat can we say about Cyndie Jaynes? Not only is she a published author and successful graduate of the San Diego underground, she’s also a marvelous documentarian with an unrivaled cache of photos and flyers from early-’80s SD.

Here’s a sampling of the great things she’s shared with me … I’m very grateful for the chance to bring these treasures to light. Stay tuned for more!
Detail: Paul Howland at Murphy’s place in HillcrestDetail: Jerry Cornelius at Murphy’sDetail: Pat Works holding (I believe) Bo Diddley’s string - I forget how he got it thoughDetail: Cynde Jaynes, Jill Ruzich and ZoeyDetail: Mike and Eric of the Tell-Tale HeartsDetail: Eric Bacher, I think at 517 4th St.Detail: Jeff and Leighton of the MorlocksDetail: Jerry at 517 4th St.Detail: Denise (Bacher), Mike Stax and Carl Rusk at PresidioDetail: Ray Brandes, Mike Stax at Che CafeDetail: Bill Calhoun, Tell-Tale HeartsDetail: Tom Ward, Gravedigger V

Our Blow Out

Detail: Our Blow Out cassette coverPersonal Conflict bassist Toby Gibson and I have been corresponding about a seminal document in the history of San Diego punk: the “Our Blow Out” cassette. Released in 1983 under the Slow Death label, this compilation featured 34 tracks from 14 bands, including some we’ve discussed before (5051, Personal Conflict, Social Spit, the Injections, Sacred Lies) as well as Battalion of Saints, Manifest Destiny, Moral Majority, the Skullbusters, Men of Clay, Black Tango, the Front, Catch 22 and District Tradition. I remember this tape well as the definitive snapshot of a major slice of SD underground history.

Toby’s a far more acute observer, however. Here’s what he has to say: “I posted this on Dave Klowden’s thread but rethought that, both because ‘Our Blow Out’ will make a decent topic on its own and because I didn’t want to detract from the topic of how great 5051 were. But District Tradition were pretty great in their own right, and I think Tommy Rulon could have taken that thing a lot farther. Musically speaking.

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Enter P Man

(Where are we now? Wallflowers bassist Paul Howland describes his current musical adventures in the very cool cyberworld of Dubstep. Check out the links and the P Man’s own online radio show!)

I first encountered Dubstep when I downloaded a recording of a radio show on London Pirate station Rinse FM from barefiles.com. The show was the “DJ Youngsta” show with his longtime MC, Task. As I remember the first tune was one by an artist known as D1 entitled “Degrees.” I was immediately intrigued by the sound.

I started downloading more sets from Rinse, including “Stella Sessions” by Skream. One of the tunes Skream was playing a lot at the time was Conquest “Hard Food.” I looked around on barefiles and saw that Quest had a show, so I downloaded a bunch of his archived shows. I ended up purchasing “The Hard Food E.P.” from dubplate.net, along with D1 “Degrees” and a bunch of others.

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Sheldon’s After Dark

Detail: Sheldon’s placemat(A sentimental epicurean journey by Manual Scan/Lemons Are Yellow veteran Paul Kaufman.)

Regardless of where the show was, chances are the night would end up at Sheldon’s, the Eisenhower-era styled, non-conglomerate “family” restaurant that once loomed large in the all-night dining Pantheon of San Diego. Most memorable for me were items with descriptions like “Large 24 oz. Malted Milkshake, Thick and Creamy, $1.25” and “Demi-loaf of home-baked bread, served here with butter, 75 cents.” Those Thick and Creamies became a significant part of my diet, and one of their original ashtrays still is on the mantle. Also iconic was their placemat, with postwar cartoon depiction of San Diego’s highlights.

My first time was after the first Manual Scan show at the London Tavern.

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She gets confused … Flying over the dateline

Yesterday Kristi Maddocks, Tom Ward and I (Matt R.) had a reunion lunch (at the fabulous uptown Vynl restaurant on NY’s Columbus Ave.), and we were comparing notes on our respective migratory patterns since leaving San Diego.

The conversation turned to a subject I’d planned to raise here: While many of us used LA as an occasional or frequent playground in our youth, it seems most of the expats on this blog made a beeline to San Francisco once they’d decided to leave San Diego.

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Can you hear me now?

The Amazons logoWe were all connected by music back in the day, but I hope our musical adventures aren’t all retrospective. Time to look beyond the Reagan Administration for inspiration!

What have you created since 1985 that we can share here on Che Underground: The Blog?

Putting my MP3s where my mouth is, I’ll go first. Here are two tracks that live on a nascent site dedicated to the Amazons, my aforementioned San Francisco-based acoustic trio. “Tales of Brave Procrustes” and “Roll Like Sisyphus,” recorded at the Amazons’ farewell gig March 2001 (with the fabulous Lemons Are Yellow), are two installments of an unfinished triptych (Greek mythology-themed, in keeping with the Amazonian imagery). The unwritten Icarus song has been percolating for nearly a decade, and maybe sharing these tracks will shake it loose at last.

Read moreCan you hear me now?

The Che Underground