Che Games memories from Mathias Kuo

(A long-time reader puts out the call for then-and-now matchups!)

Detail: Aubrey Doolittle, Dean Fisher, Mathias Kuo, Keith Thiltgen; Casbah, May 29, 2009 (collection Mathias Kuo)With the advent and conclusion of the Che Games this May, we are reminded of our youth and the path that brought us to the world we exist in today.

Some are still active in the scene and lifestyle; others, such as myself, have taken the experiences and philosophies of that time and melded them into the child-rearing, career-focused, mortgage- and bill-paying reality of the new millennium and the harsh realization that I am a 40-something now and “damn old.”

Detail: Mystery mod, Presidio Park (photo by Cyndie Jaynes)I discovered the Che Underground last summer, and it has been on my browser ever since. The articles and especially the pictures have allowed me to connect with old friends as well as reminisce about “the formative years” and how that small slice of time has helped me to cope with the world we live in today.

Read moreChe Games memories from Mathias Kuo

The Town Criers: Unearthed relics!

(Tell-Tale Heart/Town Crier Ray Brandes brings new Town Criers artifacts to light.)

Detail: Town Criers at Joshua Tree, 1989 (collection Ray Brandes)The first of these gems is from early 1989, a performance at the wedding of Joe Hughes at Joshua Tree National Park.

The band at the time consisted of Ray Brandes on acoustic guitar and vocals, Peter Miesner on lead guitar, Mark Zadarnowski on electric bass guitar, and Dan Tarte on drums. Among the attendees captured on film at the event are Che Undergrounders Matt Johnson and Sean McMullen.

The toddler at the end of the clip is Sean Zadarnowski, Mark and Lydia’s son, who has graduated from UCSD.

Read moreThe Town Criers: Unearthed relics!

‘Our Blow Out’: Reloaded

(Injections, Noise 292 and Everybody Violet drummer Joey Miller makes a public-service announcement — with guitar!)

Detail: Our Blow Out cassette coverDISCLAIMER: This is not a project of either Matthew or me, and there will understandably be different perspectives on it. Great. Please feel free to make /post your thoughts here, but KNOW and UNDERSTAND we are only the messengers.

“Our Blow Out” was a compilation that was originally put together and released in 1983 by Cliff from Social Spit. It was an energetic and amazing accomplishment for its time, and (as many of us can attest) it was an amazing compilation.

Read more about “Our Blow Out”!

Curtis, the owner of TAANG Records, has expressed interest in re-releasing this compilation; he would like to make contact with as many band members as possible to set up a meeting. He is extremely interested in seeing this move forward, and it is our hope to put the word out to see how many originals that this information would reach.

Read more‘Our Blow Out’: Reloaded

Lend Me Your Comb: A short history of the Hedgehogs

(Tell-Tale Heart/Town Crier Ray Brandes applies his narrative skills to documenting an influential early band from his own back pages. Read the full version in Che Underground’s Related Bands section.)

The Hedgehogs group shot (collection Ray Brandes)At the beginning of the summer of 1981, the Ideals (comprising 18-year-old Ray Brandes on lead vocals, 17-year-old Tony Paulerio on lead guitar, 20-year-old Maure Silverman on rhythm guitar, 17-year-old Paul Carsola on drums, and led by 14-year-old prodigy Carl Rusk on bass) were gearing up for a summer of Point Loma keg parties at $50 a performance.

The band, whose short career had reached a pinnacle opening for the Penetrators at Mission Bay High School’s prom, played mostly rockabilly and early rock and roll, with Eddie Cochran’s songs making up about 50 percent of our set list!

At the end of May, with Paul away on a summer vacation, Carl called up the Crawdaddys’ Ron Silva to sit in on drums. Ron knew Carl from years of Skeleton Club shows and had recently seen the Ideals play at the Zebra Club, so he was more than happy to oblige. The gig was to be a massive block party in Crown Point, but it never materialized because the set by the opening band, Stonehenge, resulted in several noise complaints.

Read moreLend Me Your Comb: A short history of the Hedgehogs

Let’s talk Zeros!

Zeros: “Wimp” coverBetween the band’s San Diego pedigree and Ray Brandes’ definitive biography, punk pioneers the Zeros have a special place on Che Underground: The Blog.

The reunited band’s recent string of West Coast gigs has rallied members of our community. And considering our own recent reunion, I’d like to learn more about how our forebears are faring.

Read about the birth of the Zeros!

Who’s been to the Zeros’ recent shows? How does now stack up to then?

Read moreLet’s talk Zeros!

French rock ‘n’ roll: An oxymoron?

Especially in honor of Bastille Day, here’s an eternal question inspired by an absolutely charming 1966 performance Dean Curtis surfaced by a French combo dubbed Antoine et les Problèmes. “Les élucubrations” is delivered with élan, esprit and a ton of other wonderful French nouns … However, I still find it extremely difficult to listen to.

(It actually reminds me of a small child Robert Labbe, Paul Kaufman and I watched working cafe tables in Belgium, frantically wheezing into a harmonica until he was paid to leave.)

But — mon Dieu! — Che Underground: The Blog is here to smash stereotypes, not to perpetuate them! An unrepentant francophile myself (with a healthy appreciation for other Gallic art forms), I need guidance: Where are the French rockers?

Read moreFrench rock ‘n’ roll: An oxymoron?

The Morlocks: “Two Wheels Go”

Detail: Leighton Koizumi, “Two Wheels Go”; the Stone, 1986 (collection Mark Mullen)Here’s another video sequence from the Morlocks’ 1986 performance at the Stone in San Francisco that included the version of “My Friend the Bird” previously aired on Che Underground: The Blog.

“I’m not sure who wrote it,” says drummer Mark Mullen. “All I remember is that it was written for Brother Ed from The Brotherhood of Light. He did our liquid light show, and his biker pals did security.

“‘Two Wheels Go’ was for the bikers, Hells Angels I believe.”

Read moreThe Morlocks: “Two Wheels Go”

Flyers from the Mendoza Collection

(Bart Mendoza of Manual Scan and the Shambles contributes a selection of flyers from his capacious archives.)

Detail: May 1983 flyer, 2581, San Diego (collection Bart Mendoza)1. One of my infamous paste-&-cut flyers, this one for Julie at 2581, when I helped promote a batch of shows in 1983 1988 — you can probably tell the numbers are from an old calendar.

I collected photos, and friends gave me old magazines to cannibalize into quick flyers, though this one is from my collection of vintage TV-show stills. That’s a pretty diverse calendar, from the Event to Claude Coma, with stops at the Nephews; Outriders (with Rick Wilkins); and Berkeley combo the Birminghams; as well as lots of others.

Read moreFlyers from the Mendoza Collection

Embrace the new fakeness

(Wallflower Paul “The P Man” Howland offers new dubstep mixes.)

SDdubstep recently asked me to make a podcast for their site; I made two. The first one is a little mellower than the second. They are rendered as 320-bit-rate .mp3s (High Quality For Your Listening and Dancing Pleasure).

There’s also a little interview of me conducted by EshOne (founder of SDdubstep and a mighty producer, graphic designer and DJ in his own right). Enjoy the mixes and the interview here.

— Paul Howland

Hair Theatre: “Final Steps,” 1984

Detail: Sergio Munoz, Sergio Castillo; Hair Theatre, 1984 (collection Paul Allen)While we await the arrival of new video from Che Games for May 2009, here’s some more vintage footage of the Hair Theatre lineup that reunited for that show.

Like “What Should I Say,” this sizzling performance of “Final Steps” dates from 1984 and features Sergio (vocals); Sergio Castillo (bass); Cesar Castillo (guitar); Paul Allen (guitar); and Steve Broach (drums).

Check out more Hair Theatre and other Che Underground video morsels on the Che Underground YouTube channel!

Read moreHair Theatre: “Final Steps,” 1984

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