Penetrators reunion, January 2010!

Detail: Penetrators group shotChe Underground: The Blog has been immeasurably enriched by our recent interactions with the Penetrators. As Ray Brandes has chronicled here, the Penetrators have been one of the most influential and beloved forces in San Diego’s music underground from the band’s genesis in 1977 until decades after its dissolution in 1984.

Good news for all their fans: Pens frontman Gary Heffern has given us the green light to announce a run of Penetrators-related fun at San Diego’s Casbah from Jan. 27-31, 2010 — including an evening presented by the Che Underground.

Read morePenetrators reunion, January 2010!

Kevin Donaker-Ring, center stage

Kevin 1 guitar collthumbThere’s “friends” and then there’s friends. Although the specifics of how Kevin and I met have been muddied by time, I’m now thinking it was early 1976, at a La Jolla Shores beach party.

My memory stems from the fact that I had wanted Kevin to go to Wings with me and that was June (rescheduled from May) 1976. He already had a guitar and amp and was taking lessons, but a lot of the connection was over a shared love of music, starting with The Beatles and later Cheap Trick, The Zombies and many others. Mike Oldfield’s “Tubular Bells” was always a particular favorite. He didn’t make it to Wings, but we did manage to catch Queen with Thin Lizzy soon after.

From almost the moment we began hanging out, we talked about starting a band.

And we did.

Read moreKevin Donaker-Ring, center stage

Cecil “P’Nut” Daniels speaks

Cecil Daniels playing trumpetOne of the most exciting revelations inspired by Che Underground: The Blog was the reintroduction to our circle of original Wallflowers drummer Cecil “P’Nut” Daniels.

His arrival from Texas in the early ’80s (under the name Aaron Daniels) and unlikely alliance with the nascent Wallflowers wrought a profound influence on the band and on other members of our crew, such as Kristen Tobiason and Patrick Works.

Wallflowers’ first lineup“Aaron elevated the proceedings,” writes Wallflowers bassist Paul Howland. “He showed me how to play slap-style bass, (which we called ‘Thumpin’ ’ or ‘Poppin’ ’); played me recordings of some of the best purveyors of that technique; and even showed me how to set up an amp properly to achieve the right sound to enhance the technique.

Read moreCecil “P’Nut” Daniels speaks

‘Two Dollar Tour:
On the road with the Penetrators’

002bthumbIn the course of researching his his exhaustive biography of the Penetrators, Che Underground historian Ray Brandes referred to a seminal document that helped bring San Diego’s musical underground to a broader audience: San Diego Reader music critic Steve Esmedina’s diary of his six-day California tour with the Penetrators.

“Does anyone have a copy of that ‘Two Dollar Tour’ article from the Reader?” Rockin’ Dog Dave Ellison asks. ” When that was published, I thought it was the most glamorous, exciting thing I’d ever read … I saved it for years, but it’s gone now. I can still remember parts of it … like Dan McLain eating at Taco Bell and claiming that food with too many vitamins made him throw up!”

In honor of the pending 30th anniversary of this Oct. 18, 1979, article, I thought I’d share the copy Ray sent me (courtesy of Penetrators archivist Joe Piper). I’ve formatted it as printable PDF file and posted it for download here.

Read more‘Two Dollar Tour:
On the road with the Penetrators’

Ron Silva & the Monarchs, reunited

(Dean Curtis hails the return of a favorite Bay area band with deep San Diego roots.)

Detail: Ron Silva & the Monarchs, Ace Cafe, 1994When I moved to the Bay area in ’92, I was pretty out of touch with the local music scene. One night, I was browsing through the Bay Guardian’s music listings, and I saw “Ron Silva & The Monarchs” listed.

“Naw, it can’t be the same Ron Silva from The Crawdaddys!” I thought. I went and checked it out anyway. Sure enough, it was the same Ron, fronting a new band of hip R&B cats from San Francisco, put together in ’93 by ex-Loved One Nick Rossi. Ron’s voice sounded better than ever, and the band was top notch!

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Surfacing the Gravedigger V

A recent comment by Kristen Tobiason has me puzzling over how best to focus conversation on the Gravedigger V, a youthful San Diego band whose brief existence in 1983-1984 has inspired a quarter-century of notoriety.

There are plenty of online references to the band and its album “All Black and Hairy,” but many pieces are of questionable accuracy. What can we do to set the record straight?

Read moreSurfacing the Gravedigger V

The Front flyers (Waxon Collection)

Detail: Promotional flyer for the Front’s “Gangland” cassette, 1984 (collection Dawn Hill Waxon)In another selection from her collection of vintage San Diego flyers, Dawn Hill Waxon focuses on the Front, the mid-’80s post-punk outfit that featured Morgan Smith, Mark Baez, Kevin Chanel and Dan Mehlos.

Detail: The Front/Tell-Tale Hearts flyer; Rock Palace, Dec. 31, 1984 (collection Dawn Hill Waxon)These flyers date from 1984 and include the earliest show we’ve encountered so far at the short-lived but influential Rock Palace (a gig with the Tell-Tale Hearts to usher in 1985).

Read moreThe Front flyers (Waxon Collection)

The quirky bits: Scribbles we love

(Toby Gibson asks after our favorite filler.)

It’s fairly easy to guess that pretty much everyone who comes through this site is some pedigree of audiophile — many have already confirmed themselves as walking archives of music history and have shared some fantastic personal details and trivia.

It’s also fairly easy to imagine that I’m not the only person who keys in on tiny personal fragments (or funny quirks, or just neat bits) of songs that I wait for every time I hear them — someone talking in the background, either by design or unintentionally, funny melodic idiosyncrasies that stick in the mind to become that moment that you wait for.

Read moreThe quirky bits: Scribbles we love

Photos from the Coleman Collection

Detail: Sergio and David Rives, Che Cafe, 1983 (collection Carol Coleman)Carol Coleman (née Anderson), Encinitas Pannikin manager extraordinaire and all-around rockin’ scenester, recently digitized some photographs that include shots tracking paths we took from Hair Theatre and Noise 292.

Detail: Sergio and Dave Fleminger, Che Cafe, 1983 (collection Carol Coleman)These pictures include Hair Theatre vocalist Sergio, Noise 292 guitarist David Rives (and Answers guitarist Dave Fleminger) at one of the occasions when the former drummed for us at the Che Cafe; several shows by 3 Guys Called Jesus, the band I formed with bassist Steve Duke and drummer Robert Labbe in 1985; and 1995 photos of Joy Bomb, San Diego’s successor to Hair Theatre.

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Community watch! Help Che find its gear

Our ancestral stomping grounds recently suffered a theft. Dave Fleminger notes this August 7 notice on Craigslist, posted by the Che Cafe Collective:

“The Che Cafe … was broken into sometime between August 3 and August 5. ALL of our mics, xlr cables, direct in boxes, monitors, the sound board itself, ALL of it has been STOLEN. We’re looking at 8 to 10 thousand dollars worth of equipment gone.

Read moreCommunity watch! Help Che find its gear

The Che Underground