The Rockin’ Dogs, ‘Bye Bye Bye’

Detail: Rockin’ Dogs Dave Ellison, Sam Wilson (collection Cole Smithey)Looking for the origins of Poway’s legendary Rockin’ Dogs? Dating way back to 1982, “Bye Bye Bye” is the first studio demo from the band, featuring the original Dogs lineup.

Writes Rockin’ Dog Dave Ellison, “This is from the historic Rockin’ Dogs San Marcos Sessions, featuring the earlier lineup of Sam Wilson on guitar/vocals; Dave Ellison on bass/vocals; Jim Meisland on guitar; and Scott Nichols (a k a Scott Slob) on drums.

“In 1982, we had a rented practice room in a metal building in San Marcos, which was owned by Vietnam vet auto mechanics. They used to work on cars in that building all night long. We used to practice until late at night, and they gradually grew tired of our racket and evicted us.

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Hair Theatre opens for Devo at Iguana’s: The Juni Bravo archive

Sergio, Hair Theatre, at Iguana's (Sept. 28, 1989)An online discovery has created a new Che Underground mystery to solve.

I ran across this video of the mighty Hair Theatre playing Iguana’s in Tijuana. Now I want to know how it made its way to YouTube and who-all is on the other half-hour of tape!

Some clues:

  1. The gig is dated Sept. 28, 1989, and the master VHS is credited to the “Juni Bravo archive.” It was posted to 3.Cameras.and.a.Microphone by someone who writes s/he knows nothing about the band and incorrectly identifies this San Diego North County group as Mexican.)
  2. Google and Facebook tell me that Juni Bravo was a friend to many of our San Diego circle and had relocated to Austin before she passed away in February 2015.
  3. At the end of the 11-minute segment, lead singer Sergio announces that “Devo is next.” A Google search reveals that Devo played two nights at Iguana’s: Sept. 28 and 29, 1989.
  4. Besides Sergio, the lineup onstage includes Cesar Castillo on guitar; Sergio Castillo on bass; Steve Broach on drums; Sam Wilson (I think?) Simon Holehouse on lead guitar; and John Murray on flute, harmonica and percussion.
  5. After the first 12 minutes, the balance of the 41-minute tape contains scenes from a Revolt in Style fashion show at … The San Diego Sports Arena, perhaps?

Read moreHair Theatre opens for Devo at Iguana’s: The Juni Bravo archive

There to Here: Cole Smithey,
Smartest Film Critic in the World

(In this installment, Che Underground: The Blog catches up with Rockin’ Dogs drummer Cole Smithey about his career at the movies in New York. If you’d like your story told, e-mail cheunderground@gmail.com!)

Rockin’ Dog turned film critic Cole SmitheyYou recently celebrated your 15th year in New York and 15 years as a film critic. What was your path from drummer with the Rockin’ Dogs to your current role as “the smartest film critic in the world”?

Detail: Rockin’ Dogs on the streetIt was a long and bumpy one, I can assure you. I moved up to San Francisco with the idea of finding a new band to play with, but that just didn’t happen. Having studied acting at SDSU, I got an acting scholarship to Hartnell College in Salinas. So, I spent a year in Salinas living out of my van. I played tympani in a 38-piece symphony orchestra there — doing classical music. I also played drums with the pep band at football games. The drama-department politics at Hartnell were horrendous, but I somehow managed to come out of it with a 4.0 GPA. There’s something to be said for living in your van: You just study all the time.

I moved back to SF and was working for my talent agent — sending myself out on auditions for industrials and commercials — when I picked up an issue of Sight and Soundmagazine. I realized instantly that I wanted to be a film critic.

Read moreThere to Here: Cole Smithey,
Smartest Film Critic in the World

The genesis of Elvis Christ

(Jack Gamboa continues his Che-infused memoir of his mid-’80s band.)

Elvis Christ "On the Gym Steps"; UCSD, Friday March 6, 1987 (collection Jack Gamboa)It was the very first day of school after summer break. I was walking to my Propaganda Films of the Third Reich lecture. (I had already taken Bram Dijkstra’s “Devils, Vampires and Other Horrible Creatures of 19th Century Literature.”) Suddenly on the path to the quad I saw my best childhood friend Steve. I had not seen him in months!

Elvis Christ; "On the Gym Steps," UCSD, March 6, 1987 (collection Jack Gamboa)He was a guitarist, so we were talking about the local band scene, I was telling him about the rockabilly outfit the Wild Desires. I “BongoChild” drummed for Dave “LadiesLove” Ellison on Magnatone Typhoon and bass legend Andy “ThunderTrain” Seidlinger on lownotes. A bad-ass situation too perfect to last. We had broken up a few months before. Andy had also been playing my borrowed drums for a pair of punks who called themselves Leather Geek, but he transferred to UCLA to study Structural Engineering. I told Steve: “I would love to meet up with Leather Geek! I never saw them play, but I hear that they threw legendary parties. Rumor has it that Jory is an excellent guitarist, and Eric did a poetry reading of ‘Walk This Way’ by Aerosmith!” Steve was laughing and digging that. So we were gossiping about musicians and stuff like that. We turned a corner and entered an open lawn area (I think it was called ‘the Quad’ in those days) …

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Play “Misty” for me:
BOMBAST rocks out at Bar Pink

(David Rinck provides his back story of this meeting of musical minds at the Che Underground Rock-‘n’-Roll Weekend. Plus, let’s go to the video, courtesy of Paul Kaufman!)

Now I’m really perplexed by this one. Dave Fleminger calls for the “end of the Age of Irony,” and then he is largely the perpetrator of a band called BOMBAST. This seems like a contradiction.

And then there’s the song-list issue — a couple old San Diego classics like the Wallflowers (“Rubber Room” and “Survive the Jungle”) and Blues Gangsters (“Tigershark Blues”), some Arthur Lee and Love (“Bummer In the Summer”), and even the Stooges (“TV Eye”) and Parliament (“Unfunky UFO”). Seems like a pretty strange brew, more contradictions? “Well, what do we all agree on?” I asked with great trepidation as the project grew. Pretty much one thing — BOMBAST is LOUD! Okay, that’s enough for me. I’m good to go.

Read morePlay “Misty” for me:
BOMBAST rocks out at Bar Pink

Che echoes from the Alps

(Rolf “Ray” Rieben of Feathered Apple Records describes how the San Diego underground reached Basel, Switzerland, and shares his cache of memorabilia from the Che Cafe and other points southwest. Stay tuned for much more of Ray’s trove from the Tell-Tale Hearts, Crawdaddys, Howling Men and more!)

Tell-Tale Hearts; Che Cafe, Oct. 5 (collection Rolf "Ray" Rieben)I was working as a record salesman in Switzerland when the first Crawdaddys LP (“Crawdaddy Express”) on the German Line label had hit the market. Most of the Bomp! catalog was licensed to Line Records from Germany. Line Records had the best possible distribution, since because they were connected to a major label. They’ve helped to make The Crawdaddys and some of the other bands from Greg Shaw’s Bomp label famous over here in Europe.

Kings Road flyer (collection Rolf "Ray" Rieben)“Crawdaddy Express” rates as the first modern ’60s garage LP ever made (after probably The Flamin’ Groovies). It was first advertised on the back cover of the July 1979 issue of Goldmine magazine. The sound was very British: wild raving rnb like the early Kinks, Downliners Sect, or the The Pretty Things, but undoubtedly influenced by Bo Diddley, Chuck Berry and the likes. There’s even a few cool northern soul ballads featured on both of their LPs, too. These four fine young lads from San Diego knew what they were doing, they had the right spirits, and they could deliver in authentic ca. ’64 – ’65 style, too. It was exactly the type of brand-new LP that I was hoping for.

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Two days in Che: A retrospective

(Paul Kaufman flew in from Massachusetts to taste the fury of the Che Underground Rock-‘n’-Roll Weekend July 30 and 31. Here are Paul’s impressions, accompanied by photos from Sean McMullen and Kymri Wilt.)

David Rinck/Dave Doyle; Lestat's, July 30, 2010 (Kymri Wilt)After an early-morning cross-country flight, I was somewhat worse for wear by the time 9pm rolled around on Friday, July 30, but I didn’t want to miss this!

Lou Damian at mic; Lestat's, July 30, 2010 (Kymri Wilt)It had probably been around 20 years since I had been down Adams Avenue. Normal Heights is heavily transformed from the residential neighborhood I remembered, with many new restaurants and shops. The center of the action is Lestat’s gallery, coffee shop and nightclub. A big marquee announces the Che Underground show! In addition to the musicians themselves, lots of blog stars are there: Kristen Tobiason; Chris Mathis; and of course tonight’s MC, Lou Damian.

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Che Underground Rock-’n’-Roll Weekend!

(David Rinck cuts the ribbon on a late-July musical extravaganza in San Diego!)

jll copyHow could we let a year go by since the Che Games for May? It is high time to do it again!

chepink_2Ladies and gentlemen, fasten your seatbelts and get ready to experience the Che Underground Rock-‘n’-Roll Weekend. Here’s what we have in store for you:

Friday, July 30, at Lestat’s Coffee House (3343 Adams Avenue; $10; doors open at 9pm)

Plus a photo retrospective of San Diego Underground Rock ‘n’ Roll by Dave Doyle and Sean McMullen.

Saturday, July 31, at Bar Pink (3829 30th St.; free; doors open at 9pm)

  • Wendy Bailey & True Stories
  • The Answers
  • Bombast

Plus, dubstep deejaying by the P Man

Read moreChe Underground Rock-’n’-Roll Weekend!

The Wallflowers: ‘Walldrugs’ at Che Games

wallflowers_walldrugs_frame03One year later, we’re finally on deck to start releasing performance footage shot by Eric Rife at May 2009’s Che Games for May reunion, synchronized to Jason Brownell’s high-fi audio courtesy of resident polymath Dave Fleminger.

First up, the first live performance of the original San Diego Wallflowers’ signature “Walldrugs” since 1985. Lead singer David Rinck reflects on resurrecting the song:

“When we were putting together the Wallflowers set list for the Che Games last year, we had to listen closely to the old recordings to figure out how we played those tunes, in order to get us all on the same page on the arrangements and all, since with me in Africa and the rest of the band spread out all over California, we were basically working via the Internet.”

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Come with me to the Casbah!

Pepe Le PewGive me a ticket for an aeroplane … Ain’t got time to take a fast train! Jan. 30’s Che Underground event at the Casbah proved too tempting to pass up. I just bought my fare from snowy New Jersey, and I hope to see you while I’m in sunny San Diego.

Our Che Games for May event was a blast — this time out, I’m looking forward to having more of a chance to relax and enjoy the evening and the company of some good friends. Please join me!

To recap highlights of this historic musical showcase:

Read moreCome with me to the Casbah!

The Che Underground