Mod flyer fun from the Fugate Collection

Detail: Morlocks at Swedish American Hall (collection Ken Fugate)Always seeking better ways to digitize your San Diego youth, the Che Underground blog today attempts a new delivery mechanism: a downloadable PDF file encapsulating more than 70 high-resolution pages of mid-’80s, mod-friendly flyers courtesy of Ken Fugate.

Every page of this magnum opus is a Proustian gem featuring performances by the Tell-Tale Hearts, the Morlocks, Manual Scan, the Trebels, the Nephews, the Nashville Ramblers, the Sovereigns, 39 Steps and many more. (I’m especially excited by the flyer hailing the debut of the Town Criers.)

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The Ho Hos: “Judas Twist”

Detail: Ho Hos, April 30, 1994Another Jeff Lucas composition for this mid-’90s San Francisco ensemble of San Diego expats.

Besides prompting me to write many songs I still like a great deal, the Ho Hos offered a great opportunity to sing new originals written by other songwriters. Both Jeff and Steve Lam came through with some amazing material.

I’ve always been crazy about “Judas Twist,” which I believe was recorded live at Hanno’s in the Alley with engineering help from the indefatigable Jason Brownell. It’s got more hooks than a bait shop, and the band blasts through it with trademark panache.

Matthew Rothenberg (vocals, guitar); Jeff Lucas (bass); Robert Labbe (drums); and Steve Lam (lead guitar).

Listen to it now!

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Madison Avenue hipster holiday, December 1985

(Miss Kristi Maddocks plays the Ghost of Christmas Past with photos and memories.)

Detail: Kristi Maddocks, Christmas morning, Madison Avenue 1985 (collection Kristi Maddocks)Here are some snapshots from my very bo-ho holiday season in 1985.

At the time, I was living with Michelle Krone, Jeff Rierden and Keith Lockhart (RIP) in our tiny one-bedroom in-law apartment in the neighborhood around University and Park Avenues. I think Leighton Koizumi was in town for a visit from San Francisco, where he and the rest of the Morlocks moved six months before.

This arrangement left me sleeping alone on the couch in the living room — where I am captured waking up in a haze on Christmas Day.

Detail: “Jeff and Christmas guests at Madison Avenue. The collage on the wall is mine, the famous Go GO Girl murals were by Scott Ewalt” (collection Kristi Maddocks)One of the most memorable features of the apartment were the full-scale murals of cartoon Go Go Girls that our dear friend Scott Ewalt drew on our walls — they were way ahead of their time and adored by many visitors to out pad. (Needless to say, I never got back my apartment deposit!)

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The Morlocks: “My Friend the Bird”

(Morlocks drummer Mark Mullen comes through with the video goods.)

Detail: Leighton Koizumi, Morlocks, 1986 (collection Mark Mullen)This was a show we did at The Stone on Broadway in San Francisco in 1986 with Jordan Tarlow from the Fuzztones on rhythm guitar. It’s a 23-year-old VHS tape, so no complaining. I believe we did a real wild show somewhere the night before, so this was a little lackluster for The Morlocks.

The Morlocks are really a myth, cult, fantasy and intrigue to a lot of people across the US and around the world. I wish they all could have experienced the many great shows we put on, but that’s not the case. I wish I had excellent video footage of these times for everyone to see. This was a wild, wild time, and not much survived from the era. (I challenge anyone out there to cough up any footage if you have it.)

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The Ho Hos: “Gina Says/Infinite Prague”

Detail: Cover art for the Ho Hos’ 1994 video, “Gina Says/Infinite Prague”Here’s a first entry for the new Che Underground YouTube channel: a 1994 desktop-video experiment by the Ho Hos, the band of San Diego expats I co-founded in mid-’90s San Francisco.

This production portrays a shortened version of my song “Gina Says/Infinite Prague,” another recording from our 1993 Mr. Toad’s demo session. (The video was ostensibly prompted by a long-forgotten MTV contest that compelled audio producer Jason Brownell to trim one verse and the solo, bringing it below the requisite three-minute mark.)

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The Morlocks in flyers

Morlocks/Tell-Tale Hearts, Sept. 1, 1985(?) (art by Kristen Tobiason, collection Tom Goddard)Tom Goddard’s trove of flyers continues to bear dividends for Che Underground: The Blog. Today’s bequest from the Goddard Collection features show pieces from the Morlocks’ 1984 and 1985 performances in San Diego, Los Angeles and San Francisco, created by artists including Jerry Cornelius and Kristen Tobiason.

Detail: Morlocks group shot (collection Tom Goddard)“For more information, call [Tell-Tale Hearts bassist] Mike [Stax],” reads the Tobiason flyer in the lead spot of this post. “If he ain’t home, call [Morlocks guitarist] Ted [Friedman] … If he ain’t home, call [Morlocks bassist] Jeff [Lucas] … ,” providing phone numbers for each. Now that’s customer service!

Detail: Tell-Tale Hearts/Morlocks, Studio 517, August 18, 1984 (collection Tom Goddard)Detail: Morlocks/Need; Rave-Up, LA; Feb. 2, 1985 (art by Jerry Cornelius, collection Tom Goddard)Detail: Morlocks/Things/Through the Looking Glass/Nephews, UCSD Gym, April 26, 1985 (collection Tom Goddard)Detail: Morlocks/Things/Through the Looking Glass/Nephews, UCSD Gym, April 26, 1985 (collection Tom Goddard)Detail: Morlocks/Red Kross, May 1, 1985 (collection Tom Goddard)
Detail: Dead Kennedys/Morlocks/Stoney Burke/Camper Van Beethoven/Rhythm Pigs, Oct. 1, 1985, Mabuhay, SF (collection Tom Goddard)Detail: Chesterfield Kings/Morlocks, Mabuhay Gardens, Nov. 14, 1985 (collection Tom Goddard)Detail: Morlocks, Club 181, SF; Oct. 31, 1985(?) (collection Tom Goddard)Detail: Morlocks/The Fourgiven/Yard Trauma; Swedish American Hall, San Francisco; August 31, 1985 (collection Tom Goddard)

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The Gravedigger V in flyers

Detail: Gravedigger V flyer, August 7, 1984 (artwork by Dave Anderson, collection Tom Goddard)Another Che Underground archivist joins the ranks, as dancing fool-turned-Spain-based sail stitcher Tom Goddard weighs in with a disc of fabulous flyers and photos from the Tell-Tale Hearts, the Morlocks and more.

Detail: Gravedigger V/Meenies flyer, June 16, 1984 (artwork by Dave Anderson, collection Tom Goddard)Today’s installment marks the first flyers in our collection from the Gravedigger V, the short-lived but hugely influential group who tore it up in 1984, recorded one great album and presaged the Morlocks. (I like the flyer dedicated to Tom’s sister Suzie by GDV drummer Dave “Peter Criss” Anderson, who also created both flyers.)

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The Morlocks: “You Mistreat Me” b/w “The Key”

Detail: Morlocks in Golden Gate Park (collection Jeff Lucas)“You Mistreat Me” and “The Key” represent two more songs from the Morlocks’ historic show at San Francisco’s Swedish American Hall, recorded by KALX radio on Sept. 28, 1985.

“There were a couple of Swedish shows,” writes Morlocks strategist and MC Jerry Cornelius. “These were promoed by Paul Renna — another million years of tales attached to that name!

Morlocks’ Leighton Koizumi with Jerry Cornelius (collection Jeff Lucas)‘The first happened right after [guitarist] Ted [Friedman] went up to SFO to join the rest of the band. I was up there for the second — on my first full night after moving up, one month later. The bill was The Sea Hags, Thee Unforgiven and The Morlocks — with light show by The Brotherhood of Light.”

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The Morlocks: “One Way Ticket” live in SF

Detail: Morlocks: Proofs from Time magazine shoot (collection Jeff Lucas)Here’s another piece of the Morlocks’ performance at San Francisco’s Swedish American Hall, captured by KALX radio on Sept. 28, 1985.

This live performance of “One Way Ticket,” which bassist Jeff Lucas has called lead guitarist Tommy Clarke’s “masterpiece,” closed that memorable show.

“I distinctly recall how the song’s signature stuttered rhythm would stick with you: out onto Market St., on the way home, and on for days,” recalls Paul Kaufman. “That was the best Morlocks show I ever saw.”

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Musical chairs

Playground merry-go-roundPacking so much musical talent into the confines of the San Diego scene pushed the Che Underground Mixmaster into overdrive. A couple of short years produced a dizzying melange of amputations, collaborations and creative explosions as assorted musicians formed new combinations.

Sergio of Hair Theatre sang for the Answers; guitarist David Rives from Noise 292 joined them for one performance as Painted Sun; Sam Wilson moved from the Rockin’ Dogs to the Wallflowers to Hair Theatre; Joanne Norris drummed for the Injections, Noise 292 and Everybody Violet; Crawdaddys and Gravediggers became Nashville Ramblers; half of our bands converged into the Morlocks; and Dave Anderson kept the beat for everybody else.

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