Urgent call for Che Cafe photos

Detail: Che from the trees, September 2009 (photo by Kristen Tobiason)This is a public-service announcement, with guitars:

“I’m currently working with the Alumni Association at UCSD to acquire photographs of the history of various aspects of campus to include in a 50th Anniversary book of photography,” writes Stephanie Usry. “Since the Che has been a continually important part of the campus and one that is held in high esteem by many students, we are planning to include historical pictures and we would also like to add some more recent photographs of the venue.

“Do you have any photographs that we may include that you feel represent the identity of the Che (recent shows or events, gatherings there) that we may be able to include in this publication?

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Hair Theatre: “In Obscurity”

Our Che Games for May 2009 show at San Diego’s Casbah regrouped nine legendary bands and ignited countless personal reunions. The crescendo of the two-night event was the triumphant return of the incredible Hair Theatre, seen here performing “In Obscurity” for the madding throng.

Seeing Hair Theatre perform together again was a personal highlight. This band amazed and delighted me from the first time I saw them play a party in Leucadia in 1983, and the reunion of members scattered along the West Coast was more than I could have hoped for when we first conceived this event.

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Manual Scan: ‘I Can’t Don’t Want to Faster’

Another artifact from the legendary band’s Jan. 30, 2010, Che Underground showcase at San Diego’s Casbah. This is the second-to-last song in Manual Scan’s 13-song set before being joined by Chris Sullivan and Chris Davies of the Penetrators.

This sequence was culled from Eric Rife’s video and Dave Fleminger’s audio, and features l-r: Dave Fleminger, Kevin Donaker-Ring, Bart Mendoza, Morgan Young and Tim Blankenship.

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Che echoes from the Alps

(Rolf “Ray” Rieben of Feathered Apple Records describes how the San Diego underground reached Basel, Switzerland, and shares his cache of memorabilia from the Che Cafe and other points southwest. Stay tuned for much more of Ray’s trove from the Tell-Tale Hearts, Crawdaddys, Howling Men and more!)

Tell-Tale Hearts; Che Cafe, Oct. 5 (collection Rolf "Ray" Rieben)I was working as a record salesman in Switzerland when the first Crawdaddys LP (“Crawdaddy Express”) on the German Line label had hit the market. Most of the Bomp! catalog was licensed to Line Records from Germany. Line Records had the best possible distribution, since because they were connected to a major label. They’ve helped to make The Crawdaddys and some of the other bands from Greg Shaw’s Bomp label famous over here in Europe.

Kings Road flyer (collection Rolf "Ray" Rieben)“Crawdaddy Express” rates as the first modern ’60s garage LP ever made (after probably The Flamin’ Groovies). It was first advertised on the back cover of the July 1979 issue of Goldmine magazine. The sound was very British: wild raving rnb like the early Kinks, Downliners Sect, or the The Pretty Things, but undoubtedly influenced by Bo Diddley, Chuck Berry and the likes. There’s even a few cool northern soul ballads featured on both of their LPs, too. These four fine young lads from San Diego knew what they were doing, they had the right spirits, and they could deliver in authentic ca. ’64 – ’65 style, too. It was exactly the type of brand-new LP that I was hoping for.

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The Amazons: “Procrustes”/”Sisyphus”

The Amazons play the Mexican Bus, San FranciscoHere are two parts of an uncompleted song trilogy I wrote for the Amazons, the acoustic band I was in until I left San Francisco in April 2001.

I always liked the weird anti-heroes and losers in Greek mythology, two of whom figure in “Tales of Brave Procrustes” and “Roll Like Sisyphus.” (I always intended to write that third one about Icarus, mainly so I could be the first songwriter I know to get the word “heliocentric” into a lyric.)

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DaveFest Four: ‘Prison Walls’ at Lestat’s

David Rinck, Dave Fleminger, the DaveFest FourFirst fruits of the Che Underground Rock-‘n’-Roll Weekend: Days after we posted about a video featuring “Prison Walls” from the Injections’ seminal 1980 single, the DaveFest Four put its own spin on the song at Lestat’s Coffee House on San Diego’s Adams Ave.

Dave Fleminger, who provides vocals and guitar on the track, describes the inspiration for the DaveFest Four’s version of “Prison Walls”:

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‘Prison Walls’: The Injections on YouTube!

Detail: Annotated Injections flyer (collection Joey Miller)It’s always fun to see a piece of our mutual history surface in an unexpected location. Viz. this video compilation from “stev1963hit,” an old-school British audiophile who included an illustrated version of “Prison Walls” from San Diego punk pioneers the Injections in a series of YouTube posts dubbed “Anarchy in the U.K.”

“Prison Walls” is the first in a trio of songs in this edition, along with “Cold Eyes” by the Reactors and “No Passion” by the Vice Creems.

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Get your ‘Rock-’n’-Roll’ flyers!

You asked for it, you got it: “Then and Now” reporter and Che Underground veteran Kristen Tobiason has obliged us with downloadable PDF versions of the flyers she prepped for the Che Underground Rock-‘n’-Roll Weekend July 30 and 31!

Just click on the thumbnails below for pure, print-ready chewing satisfaction:

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Here’s a recap of the weekend’s haps:

Read moreGet your ‘Rock-’n’-Roll’ flyers!

The Comeuppance: Bringing it home

The Comeuppance; Lestat's Coffee House, July 12, 2010 (photo by Lou Damian)Dave Fleminger — veteran of San Diego’s Answers, Mirrors and Manual Scan and a chief architect of our Che Underground events — is down from San Francisco for the month to prepare for the Che Underground Rock-‘n’-Roll Weekend July 30-31.

Among the first-night acts at Lestat’s Coffee House: the Comeuppance, Dave’s current collaboration with cellist Heather Vorwerck. The duo last week made its San Diego debut at a Lestat’s open mic, and I asked Dave what it was like playing his new material on our old turf after so many years away.

The Comeuppance; Lestat's Coffee House, July 12, 2010 (photo by Lou Damian)The Comeuppance; Lestat's Coffee House, July 12, 2010 (photo by Lou Damian)The Comeuppance; Lestat's Coffee House, July 12, 2010 (photo by Lou Damian)The Comeuppance; Lestat's Coffee House, July 12, 2010 (photo by Lou Damian)

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Sean McMullen, Dave Doyle on photography

Jon King, Gang of Four (Sean McMullen) It’s not just for bands any more: The pending Che Underground Rock-‘n’-Roll Weekend will also celebrate two photographers whose work has captured San Diego music for decades.

The first night of the event — Friday, July 30, at Lestat’s Coffee House in San Diego — will feature a joint exhibit of concert photos by Dave Doyle and Sean McMullen. I caught up with each of them to learn a bit more about their respective photographic visions and how San Diego has shaped them.

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The Che Underground