The Mystery Machine in motion!

(Ray Brandes introduces long-lost film of a fleeting San Diego phenomenon.)

Mystery Machine3The folk-rock explosion of the 1960s was ignited by the release of the Byrds’ 1965 hit cover of Bob Dylan’s “Mr. Tambourine Man.” The group’s characteristic three-part harmonies, jangly 12-string guitar and folk-music sensibilities spawned hordes of sincere flatterers and helped boost the sales of contemporary artists who shared the same influences. Los Angeles became the epicenter of a shaggy-haired, granny glasses and moccasins-wearing subculture that included the likes of Love, the Leaves, the Dovers, the Bees, and the Mamas and the Papas.

the-mystery-machineEighteen years later and a hundred miles to the south, Carl Rusk, Ray Brandes, Mark Zadarnowski, Bill Calhoun and David Klowden made a valiant attempt to resurrect the folk-rock sound and style. For a brief, shining moment in a year that saw the birth of both the Tell-Tale Hearts and the Gravedigger V, the Mystery Machine kicked up a little dust and then vanished as quickly as it had appeared. There were only three public performances: August 12, 1983, at San Diego’s Headquarters; August 20, 1983, at Orange County’s Radio City; and the final gig August 26, 1983, at Los Angeles’ Lhasa Club.

Read moreThe Mystery Machine in motion!

One for the books

KerouacCassadyAll your friends seem larger than life when you’re young … But I believe that many of the people who made up our scene really did have the charisma and thirst for new experiences to make great protagonists in an epic novel.

Jack Kerouac built his legend on a lightly fictionalized (and beautifully written) portrayal of his friend Neal Cassady, with a supporting cast of other people in their circle.

If you were going to write the Great American Novel about someone from the San Diego scene, who would it be? And why?

New Sounds Festivals 1985-1991

(Bart Mendoza describes the arc of an important San Diego music festival he co-founded.)

NewSoundsClippingHelmed by myself and, at first, Ron Friedman, and later Matt Fidelibus (with huge help from Secret Society Scooter Club, Dimitri Callian and many others), there were seven New Sounds Festivals in all, always one big blowout event surrounded by a week of gigs by the touring acts.

Stax-Bart modfest UT (Photo RIFE!)I had been bringing groups to town for awhile anyway, so the idea of focusing efforts appealed; the chance to do these events as a benefit for SDSU’s student-run radio station, KCR, was even better. The motive for the New Sounds Festivals was simply to promote and showcase music influenced by Mod / ’60s/ Garage, in particular local groups like the Tell-Tale Hearts, the Nashville Ramblers, Donkey Show, the Trebels and the Event. With short sets and a backline, it was like a really, really cool jukebox.

Read moreNew Sounds Festivals 1985-1991

In my life

(Megan S. asks where specific songs fit into your personal narrative.)

musicbrainRemember that episode of M*A*S*H where a scent triggers Hawkeye to fall down the rabbit hole of unresolved pain from earlier in his life? Sound can do that too, especially songs.

Sometimes hearing a song can bring you back to a period in your life, a scene or even a specific incident. Often, the two are so intertwined it is impossible to revisit a memory without its soundtrack, or hear a song without your embedded storyboard. Lots of times, we have no control over the music or the situation; they all come together, merging, in the making of a memory.

Read moreIn my life

Causes

"Community Activism" graphicHere’s a first post crafted in response to my recent call for new topics: “It would be fabulous to learn about what types of positive contributions all of us scene skeptics are currently participating in to actually improve our society,” writes Robyn Wexler, who goes on to describe her personal involvement in animal-rescue causes.

A great question that I hope will inspire some spirited discussion! To what political, social or spiritual causes have you invested yourself lately? And are they the same sort of causes you would have envisioned back when we were kids?

Read moreCauses

The Morlocks between the covers

Detail: Morlocks: Proofs from Time magazine shoot (collection Jeff Lucas)More video from the original Morlocks has emerged on YouTube, including covers of songs by the 13th Floor Elevators, Q65 and the Count Five.

Exhibit A is a video by Eric Predoehl of the Morlocks performing the 13th Floor Elevators’ “You Don’t Know.” According to the post, it’s from an event produced by KFJC Radio and I.B.S. at the Works Gallery in San Jose, Calif., on Nov. 22, 1985:

Read moreThe Morlocks between the covers

The British Invasion hits San Diego

(Bart Mendoza gets a sneak peek at a new DVD collection straight out of SD.)

RITYLogoSan Diego has many great music-related companies within its borders; besides music labels, Taylor Guitars, NARM, Carvin Guitars and Deering Banjos immediately spring to mind. Top of the list for me, however, is El Cajon’s Grammy-nominated music archivist Reelin’ in the Years, “The world’s largest and most respected source of music footage.”

I bring this up because I’m really excited about a new DVD series from RITY, The British Invasion. The first four discs are out March 30, the box set featuring a bonus disc. I love that this, and RITY’s other series devoted to jazz, folk, blues and Motown, are from a San Diego company. But as you’d guess, any series that includes The Small Faces is especially going to get my attention.

Read moreThe British Invasion hits San Diego

“You’re way on top now”:
Gary Heffern meets Iggy Pop

(Ray Brandes describes a turning point for the future Penetrators front man. Read the story and listen to the audio!)

0334_35Iggy Pop and David Bowie’s 1977 “Idiot Tour” made a stop at the San Diego Civic Theater on April 16, 1977, supported by opening act Blondie. The band consisted of Iggy Pop (vocals), David Bowie (keyboards and backing vocals), Ricky Gardiner (guitar), Tony Sales (bass) and Hunt Sales (drums). In the audience was none other than San Diego’s Gary Heffern, who cites this concert as the critical moment in his life when he decided to start a band.

“I was in the audience, in the second row, and Iggy came out and gave the microphone to the guy next to me, Tom Griswold,” Gary remembers. “Tom wouldn’t sing, so I grabbed it and started singing and wouldn’t give Iggy the microphone back!” The song was ? and the Mysterians’ “96 Tears.”

Read more“You’re way on top now”:
Gary Heffern meets Iggy Pop

No Particular Place to Go:
Four-wheeled memories

(Ray Brandes retraces his route through automobiles of his youth.)

1967plymouthPerhaps no single man-made artifact has captured the imagination of and helped to define the culture of the American teenager more than the automobile. Once a toy possessed only by the super-rich, in the post-World War Two economic boom the car emerged as the premiere symbol of American youth. A car provided speed, mobility, freedom — and a generous backseat — all of which allowed young people to experiment with adulthood.

Read moreNo Particular Place to Go:
Four-wheeled memories

Back to the Gaslamp!

Gaslamp signA quick one, while he’s away: I’m blogging from the Hilton in San Diego’s Gaslamp Quarter, where I’ve arrived for a very short conference. In all my years of business travel, this is my first event in San Diego … And I do believe this is my first time in this part of SD since moving away in February 1987!

Thanks to Kristen Tobiason’s documentary efforts via her “Then and Now” series, we’ve virtually revisited sites of past glories before this neighborhood was cleaned up and relabeled the Gaslamp: the Zebra Club/Saigon Palace, Greenwich Village West, Studio 517, Funland

My time is short and packed with grown-up business, but I’m hoping for a few minutes to stroll the old ‘hood. What do you think I’d see, if I could walk away from me?

The Che Underground