Reviving San Diego's Rock Renaissance
(Graphic artist extraordinaire and “Then and Now” documentarian Kristen Tobiason describes how Buffalo Springfield pushed us beyond the fringe.)
In the early ’80s, American hardcore punk rock was at its peak. New Wave was also flourishing amidst Studio 9 dance crowds. Bi-curious, lipstick boys. Giant shelves of sprayed hair in several shades of Clairol color.
What better way to rebel against your peers than to emulate a ’60s folk-rock band …
Buffalo Springfield. seriously?
(Editor’s note: When asked whether guest columnist Patrick Works could add this submission to the “This We Dug” franchise, series founder Dave Rinck wrote, “Of course! Anything Pat says is automatically cool.” And so it is.)
Or were you secretly in love with Keith? Or perhaps you were a wannabe Reuben Kincaid just like me?
For some strange reason amidst the caca-phone of 60s/70s TV the Monkees begat all kinds of media attempts at duplicating pop super-stardom, and the rest is of course TV history.
Hi everyone! Dave Wallflower here again. Underground culture is a worldwide phenomenon. It is everywhere. It is all around us. It is like the air we breathe, the water we swim in (assuming that we are fish). In this the third edition of This We Dug, you will learn about Red Krayola, a band that helped form the collective Che Underground consciousness. They were like some of the water we fish swam in. This issue of This We Dug was supplied by Che alumni Paul Kaufman and Dave Fleminger, two guys who in turn provided more than a little of the underground air we breathed.
Austin, Texas, made some very high-profile contributions to the psychedelic scene, notably Roky Erikson’s 13th Floor Elevators. But there were other bands in that scene you should check out. The Bubble Puppy album is cool. But my all-time favorite album from this time and place is the second LP by Red Krayola, “God Bless the Red Krayola and all who Sail with It.” This came after their half-song, half-“free form freak-out” debut LP “The Parable of Arable Land,” which provided the immortal “Hurricane Fighter Plane” (notably covered by Boo in the mid-’90s).