the Injections | The Che Underground

Who’s next? Bands that mattered

March 30, 2019March 31, 2009 by Mmrothenberg

I’ve likened Che Underground: The Blog to one of those God’s eyes many of us made in the groovy ’70s: While the original effort has been focused on a small set of bands playing together in San Diego in the early ’80s, much of the beauty has come from the warp and weft of wider connections.

Along the way, we’ve talked about many local bands that influenced us and some later bands that shared members or aesthetics with the scenes and sub-scenes at the tight core of the site.

A few examples: Ray Brandes has done unprecedented historical research on the Crawdaddys, the Zeros and the Unknowns, and participants themselves have told us tales about Claude Coma and the IVs, the Injections, 5051, the Front, the Frame, Atrocity Exhibition and Structural Fracture, among others.

So, whose story should we tell next? Let’s discuss local bands you’d like to learn more about!

Memories of the Injections

January 1, 2011February 21, 2009 by Mmrothenberg

(Joey Miller, a k a P Gargoyle, f k a Joanne Norris, drummer extraordinaire for the Injections as well as Noise 292 and Everybody Violet, shares scans and recollections of the legendary punk band, which also featured Lou Skum on vocals, Bruce Perreault on guitar and Lisa Acid on bass and helped propel the San Diego scene at the turn of the ’80s.)

Like fine wine, we have all aged, and here we are almost 30 years later on Che Underground: The Blog. I had some old flyers and other things left over, and the ones that I did not discard I scanned. (I never thought they would get their just due, but I was wrong.)

Some of the things I had were easier to scan than others. Some of them I have seen in other places on the Web, like Lou’s Facebook page, but I haven’t seen them all together. Not yet.

Punk flyer blow out from the Seibert Collection

January 1, 2011January 4, 2009 by Mmrothenberg

You asked for it, we’ve got it: The recent success of the PDF set of mod-themed flyers from the Ken Fugate Collection prompts a 31-page volume of punk classics from early ’80s San Diego, courtesy of our beloved Jason Seibert.

The Seibert flyers reference a variety of venues, including Fairmount Hall, North Park Lions Club and the Adams Avenue Theater (many of them organized by Marc Rude’s Dead or Alive). San Diego acts include Personal Conflict, Men of Clay, No Age Limit, the Skullbusters, Social Spit, Manifest Destiny, Catch-22, Moral Majority, V-5, 5051, the Nutrons, the Middle Class, Battalion of Saints, District Tradition, the Front, Sacred Lies, the Injections and Black Tango.

Read morePunk flyer blow out from the Seibert Collection

Fleshing out the Skeleton Club

December 11, 2017August 17, 2008 by Mmrothenberg

Punk goodfella-turned-celebrity chef Jason Seibert has donated a wonderful cache of flyers to the Che Underground archives. These artifacts span the late ’70s through the early ’80s and document events at the North Park Lions Club, the International Blend/Kings Road, the Zebra Club and the Skeleton Club.

It’s high time we take note of that last venue, which did so much to hone the cutting edge of San Diego music. (Full disclosure: Tucked away in North County, I missed out on the Skeleton Club during its brief but influential run at 202 Market St. and 921 Fourth Ave. under the management of rock-‘n’-roll nurse Laura Frasier and a young Tim Mays.)

Musical chairs

December 13, 2017July 1, 2008 by Mmrothenberg

Packing so much musical talent into the confines of the San Diego scene pushed the Che Underground Mixmaster into overdrive. A couple of short years produced a dizzying melange of amputations, collaborations and creative explosions as assorted musicians formed new combinations.

Sergio of Hair Theatre sang for the Answers; guitarist David Rives from Noise 292 joined them for one performance as Painted Sun; Sam Wilson moved from the Rockin’ Dogs to the Wallflowers to Hair Theatre; Joanne Norris drummed for the Injections, Noise 292 and Everybody Violet; Crawdaddys and Gravediggers became Nashville Ramblers; half of our bands converged into the Morlocks; and Dave Anderson kept the beat for everybody else.

Our Blow Out

January 1, 2011May 22, 2008 by Mmrothenberg

Personal Conflict bassist Toby Gibson and I have been corresponding about a seminal document in the history of San Diego punk: the “Our Blow Out” cassette. Released in 1983 under the Slow Death label, this compilation featured 34 tracks from 14 bands, including some we’ve discussed before (5051, Personal Conflict, Social Spit, the Injections, Sacred Lies) as well as Battalion of Saints, Manifest Destiny, Moral Majority, the Skullbusters, Men of Clay, Black Tango, the Front, Catch 22 and District Tradition. I remember this tape well as the definitive snapshot of a major slice of SD underground history.

Toby’s a far more acute observer, however. Here’s what he has to say: “I posted this on Dave Klowden’s thread but rethought that, both because ‘Our Blow Out’ will make a decent topic on its own and because I didn’t want to detract from the topic of how great 5051 were. But District Tradition were pretty great in their own right, and I think Tommy Rulon could have taken that thing a lot farther. Musically speaking.