San Diego punk | The Che Underground

Have you ‘zine me? San Diego’s indy music mags

December 18, 2017August 11, 2008 by Mmrothenberg

Detail: Quasi-Substitute #2, 1980 (collection Dean Curtis) Another pillar of SD punk’s plastic arts (along with music, tattoos and flyers) were ‘zines, the samizdat publications created by luminaries such as Marc Rude, Harold Gee, Terry Marine and Clayton Colgin.

Over in the Che Underground forum (separate registration required), Dean Curtis and Toby Gibson, among others, have been bringing these treasures to light. One of Dean’s first contributions was Issue 2 of Quasi-Substitute, dating from 1980 and featuring the Crawdaddys on the cover.

Detail: Snare #1 (collection Dean Curtis) Its reappearance prompted this wonderful response from David Klowden: “Seeing this issue of Q-Sub triggered an intense emotional stew of white hot longing for that place and time, deep black terror at the passage of the years & a kind of fatherly love for my younger self that is beyond description.

Our family tree

December 18, 2017August 4, 2008 by Mmrothenberg

The Che Underground site was first conceived to capture an interesting and undocumented moment in San Diego music history — but our scene was one significant limb among several in a tree with healthy roots and many branches.

To understand this fluorescence better, we’re undertaking something ambitious: a mapping project to lay out the history of San Diego’s rock-‘n’-roll underground. Step One is to solicit some general ideas about the shape of this family tree.

Here’s my first take, which is completely skewed by my age, my location and my own tastes. For me, the San Diego underground sprang in the late ’70s from three large, intertwined roots: the first wave of SD punks (Marc Rude et al.); great New Wave bands like the Penetrators and Unknowns; and a unique SD brand of retrovisionary cool, starting with Ron Silva and the Crawdaddys.

Remembering Renee Edgington, North Park Lions Club

March 21, 2018August 1, 2008 by Mmrothenberg

(David Klowden commemorates a San Diego punk pioneer and AIDS activist.)

Renee Edgington yearbook photo I was searching online for my former mentor, Renee Edgington, the founder of Shark Productions, who was responsible for creating so many cool shows in San Diego, and learned that she & her husband died in a car accident 10 years ago while vacationing in South Africa.

Anyone who attended a show at the North Park Lions Club between 1978 and 1981 has Renee to thank for making it happen.

I knew that she had been an AIDS activist in Los Angeles, but I didn’t know that she’d founded Clean Needles Now. Renee was a wonderful woman & I was deeply saddened to hear about this tragedy.

Shark Productions artifacts:

Saving Bobby Lane

January 1, 2011July 8, 2008 by Mmrothenberg

The Che Underground flyer collection is overdue in giving credit to Bobby Lane, one of the greats of San Diego rock-‘n’-roll graphics. While I hope we can open a complete (and pristine) Bobby Lane Wing in our online gallery, I like the personal history behind these two well-loved examples, courtesy of Kristen Tobiasen.

“What flyer gallery would be complete without the art of Bobby Lane?” Kristen writes. “Probably the most ‘iconic’ of San Diego punk flyer artists, definitely the most prolific. Years before I ever met him, I remember seeing his flyers posted around.

5051 by numbers

January 1, 2011June 18, 2008 by Mmrothenberg

(Excerpts from an epic history of the seminal San Diego punk band by 5051 lead singer David Klowden. Read the full version in our Related Bands section!)

When I sat down to write the 5051 story, I realized that, just as with most of my girlfriends of the ’70s and ’80s, I unfortunately couldn’t remember the beginning or the end. Also, I couldn’t remember most of what happened in between.

So I located Sam “Topper” Kolzar, lead guitarist of 5051, and Matt “Guy” Silver, producer of 5051’s record. It was my first time talking with either of them in over 25 years, so it was fun to reconnect and reconstruct the 5051 years of 1981-82. Other members of 5051—drummer Joel Roop, guitarist Steve “Squirrel” Oberg, and Squirrel’s half-brother, bassist Scott Harber, are still at large. With the help of Sam and Guy, I offer the following slice of San Diego music history.

Punk rock picture show

January 1, 2011June 4, 2008 by Mmrothenberg

Picking up the thread from our “Hyphenates” discussion, let’s talk about notable on-screen portrayals of punk, with special focus on its applicability to the Southern California experience.

My candidate for best of show is “Repo Man” — as Toby said, perhaps the only decent thing Emilio Estevez has ever done, but good enough to make up for a dozen “Mighty Ducks.” (Worst/funniest could be the punk-rock episode of “Quincy.” (Am I right that some actual LA punks were extras in that episode?)

Discuss!

Our Blow Out

January 1, 2011May 22, 2008 by Mmrothenberg

Personal Conflict bassist Toby Gibson and I have been corresponding about a seminal document in the history of San Diego punk: the “Our Blow Out” cassette. Released in 1983 under the Slow Death label, this compilation featured 34 tracks from 14 bands, including some we’ve discussed before (5051, Personal Conflict, Social Spit, the Injections, Sacred Lies) as well as Battalion of Saints, Manifest Destiny, Moral Majority, the Skullbusters, Men of Clay, Black Tango, the Front, Catch 22 and District Tradition. I remember this tape well as the definitive snapshot of a major slice of SD underground history.

Toby’s a far more acute observer, however. Here’s what he has to say: “I posted this on Dave Klowden’s thread but rethought that, both because ‘Our Blow Out’ will make a decent topic on its own and because I didn’t want to detract from the topic of how great 5051 were. But District Tradition were pretty great in their own right, and I think Tommy Rulon could have taken that thing a lot farther. Musically speaking.

Another side of Dave Klowden

March 27, 2019May 9, 2008 by Mmrothenberg

To celebrate the diversity of the early-’80s San Diego underground (and shamelessly solicit contributions to Che Underground’s Related Bands page), here’s a double-decker salute to David “GI” Klowden, nimble navigator of the San Diego scene and keystone of 5051, the Mystery Machine and the Tell-Tale Hearts.

Side One: “El Salvador” from 5051’s 1981 seven-inch. David Klowden (vocals); Sam Topper (guitar); Squirrel Oberg (guitar); Scott Harber (bass); Joel Roop (drums)

Side Two: “She’s Not Mine,” recorded in 1983 by the Mystery Machine. Ray Brandes (vocals, tambourine); Carl Rusk (six-string Guild Starfire, 12-string Rickenbacker 370-12, vocals); Mark Zadarnowski (bass); Bill Calhoun (Vox Jaguar); David Klowden (blue Japanese Majestic drumset).

What a difference two years make!

BoboStock!

January 1, 2011April 9, 2008 by Mmrothenberg

The recent invocation of legendary San Diego scenester Bobo reminded me that Bruce Haemmerle donated an extremely valuable curio to the Che Underground collection: recto and verso scans of an actual invitation to BoboStock, Dec. 22, 1982, which featured what eyewitnesses say was a definitive performance by the Answers.

While my own association with the band didn’t begin until March 1983 at the Che Cafe, this event lingered in Bobo hagiography for many years. Here’s an opportunity to amass recollections about the man and the music that shaped a generation.

Wild in the Streets of Slow Death

December 11, 2017March 31, 2008 by Mmrothenberg

Detail: 5051 single cover David Klowden — 5051 and Tell-Tale Hearts veteran turned author and professor — kindly sent me the manuscript of “Wild in the Streets of Slow Death,” his novel about coming of age in the San Diego punk scene ca. 1980. I read it in one sitting and enjoyed it immensely on several levels.

It’s a great portrayal of teenage alienation and redemption; an authentic memoir of our own youth culture, full of characters and events based on that time and place; and a crime thriller informed by the police excesses, white-supremacist fringe elements, bad drugs and internecine battles that made the San Diego underground such treacherous terrain. I’m glad David and the rest of us negotiated it!