Weird scenes inside the gold mine

Happea and Pea-Wee: Pea Soup Andersen’sHow many times have you found yourself playing in a very weird venue? From my very first gig at a chili cook-off through an assortment of busking misadventures, I’ve demonstrated a knack for performing in strange places for unwary/unwilling spectators.

Between the scrap metal and the cross-dressing and the affinity for the Velvet Underground’s second album, Noise 292 was nobody’s idea of a crossover band. One of our oddest gigs was a Jesse Jackson presidential benefit at Pea Soup Andersen’s in Carlsbad, Calif., which we were asked to play by a friend of Wendell’s parents.

Read moreWeird scenes inside the gold mine

Rockin’ Dog makes good

Rockin’ Dog turned film critic Cole SmitheyRockin’ Dogs drummer turned celebrated New York film critic Cole Smithey gives some love to his old posse in this Q&A with online movie powerhouse Rotten Tomatoes: “A lifelong artsy kid, he bounced around the entertainment industry pursuing varied interests for years: playing drums for the Rockin’ Dogs in San Diego; working as an actor in San Francisco; temping for a studio in New York City. In 1997 he began his career as a professional critic covering films great and small, and he hasn’t looked back since.” (Well, only occasionally, and we hope with fondness.)

New flyers! New fun!

Detail: Hair Theatre/Rockin’ Dogs flyer: Oct. 5, 1984As the Che Underground history tour gains speed, I keep getting the greatest stuff from all you wonderful people! Thank you for every beautiful audiovisual scrap of it — my biggest challenge is finding the time to move it all online and the technique to present it to its best advantage, but it’s all appreciated and will ultimately have a happy home here.

Detail: DaveFest 3 flyer: July 20, 1985Our flyer gallery is picking up steam, as is our performance history page. (To create a nice frame of historical reference while keeping things manageable, I’m concentrating on the years 1981 through 1985 … But I want to hear about what years and what assets are important to you.) The related bands section is also slowly gaining traction; authors and bands welcome. Please visit — and please help fill in the many gaps that still exist!

Who went out tripping across California in myriad stolen night-cars?

-A 10+ year roadtrip thread thanks almost entirely to Dave Rinck, the secret hero of this prose.-

Patrick Works/broken leg/busted MotoguzziBack in ’82 we went to see the Stones at the LA coliseum with Werner Cook. That’s Dave Rinck, Werner (none of you will remember him I’m sure…punk rock tournament tennis star…really) and me, in Dave’s Mom’s white proto SUV. On the way up we stopped for cash in San Juan Capistrano. We had an enourmous bag (like a huge trash bag size) full of popcorn in the back of the truck. We found a pink ’65 rambler in the parking lot with the doors unlocked. So we did what anyone would do…we filled the car with popcorn, released the parking brake, put it in neutral and pushed it out into traffic without a driver.

We drove off without watching to see what might happen.

Read moreWho went out tripping across California in myriad stolen night-cars?

BoboStock!

Detail: Invitation to BoboStock (outside)The recent invocation of legendary San Diego scenester Bobo reminded me that Bruce Haemmerle donated an extremely valuable curio to the Che Underground collection: recto and verso scans of an actual invitation to BoboStock, Dec. 22, 1982, which featured what eyewitnesses say was a definitive performance by the Answers.

Detail: Invitation to BoboStock (inside)While my own association with the band didn’t begin until March 1983 at the Che Cafe, this event lingered in Bobo hagiography for many years. Here’s an opportunity to amass recollections about the man and the music that shaped a generation.

Hair Theatre in living color

Detail: Hair Theatre’s Sergio at the micAt long last, Che Underground is proud to present photographic evidence of the immortal Hair Theatre! Thanks to Paul Allen for coming up with these great photos (and to Kristin Martin for a technical assist getting them into my hands).

Detail: Hair Theatre’s Sergio at the mic #2I’d peg this appearance by Sergio, Little Serg, Cesar and Paul around 1985, although I’d appreciate a memory boost from the band itself in specifying the date and location. (Plus, who was drumming at this stage?) It’s so cool to see the band together after all these years!

Detail: Hair Theatre on stage (from crowd)Speaking of Hair Theatre reunions: I know that both Sergios and Paul at least will be together in San Diego this weekend to celebrate Big Serg’s wedding! Please join me in sending warm Che Underground wishes to Sergio, his fiancée Season and their daughter Lily. (Is a musical reunion at the reception too much to hope for?)

Detail: Hair Theatre on stage (from crowd) #2And Sergio/Paul: Please e-mail wedding photos so the happy couple’s extended circle of well-wishers can join in the celebration!

Great San Diego hangouts

Room in Greenwich Village West, 1985Essential ingredients in our recipe for adolescent hijinx were the houses, apartments, nooks and crannies where we gathered to play and hang around and talk and commit a variety of small indiscretions at odd hours. We’ve talked about Patrick Works’ house, about Gay Denny’s and its ilk, about Presidio Park and Balboa Park … What were some other notable hangouts?

That’s three to start, but there were many more. Where else did we hang our hats?

Noise 292: “Subterranean Homesick Blues”

Detail: Matthew Rothenberg, Noise 292Here’s another helping of sonic steak Tartar, to borrow Dave Rinck’s evocative phrase: Noise 292 serving up a very raw version of Bob Dylan’s “Subterranean Homesick Blues” at the Headquarters in Pacific Beach, August 26, 1983 (opening for the Pandoras and the Answers). This was the first Noise 292 lineup, and this number features Kristin Martin on bass; David Rives, guitar; Hobie Hodge, trash percussion; Joanne Norris, drums; Matthew Rothenberg, vocals and S&M tambourine (with which I raised a big hematoma on the heel of my hand every time we played this song). Leighton Koizumi (later of the Gravedigger V and the Morlocks) made his live rock-‘n’-roll debut playing electric violin on “Heroin” that evening, although Wendell Kling also took over violin duties when he replaced Hobie on percussion.

I always enjoyed how this cover threw a bunch of our noise-rock, art-rock, punk and garage influences into the Cuisinart and basically hit “purée”! (Can anyone identify the voice of the girl talking about her calculator at the beginning of the track? I keep wondering if she ever got it back.)

Listen to it now!

What are we listening to NOW?

Detail of Dave Fleminger on guitarIn a brief break with the past, Personal Conflict bassist-turned-punk-historian par excellence Toby Gibson suggests an amusing palate-cleanser to catch up with our present doings: What is everyone listening to today, and what are your guilty musical pleasures?

“I’m presently working on a pointless short story whose conclusion has been eluding me while my kid naps on the couch,” Toby writes to tee things up, “and I’m listening to Joe Jackson’s old stuff on the headphones. Twenty years ago there’s just no chance — no way — I never would have guessed this is where I’d be right now here today, but I guess to some extent there’s just no predicting what path a certain person will end up taking. I certainly was ‘too punk’ to admit to enjoying Joe Jackson — or about a million other bands and performers I missed until much later in life. Sad but true.”

The Wallflowers: “Raw Power”

Wallflowers Phase One group photoI’m pretty sure I met the Wallflowers at an apartment party — maybe in Kensington? — in early summer 1983. I believe Dave Ellison brokered my introduction to the most joyfully subversive band in the whole Che Underground circuit.

The Wallflowers weathered a few personnel changes during their run and came back each time renewed and ready with new surprises: an electric cord of pure rock-‘n’-roll snaking through an eclectic combination of horns, harmonicas and other musical breaths of fresh air in our guitar-dominated scene. (Not to discount potency of the Wallflowers’ core lineup; bassist Paul Howland was the spine of the band, and every guitarist and drummer to join the Wallflowers was like a new birthday present for the audience.)

Here’s what Wallflowers vocalist Dave Rinck recently called “the raw stuff, the real steak Tartar of the band”: Wallflowers Phase One demolishing the Stooges’ “Raw Power”! Man, I’ve missed these guys.

Listen to it now!

The Che Underground