3 Guys Called Jesus
at North Park Lions Club, 1986

smallveg_frame01Here’s a cut from the only extant video I know of 3 Guys Called Jesus, the band I formed in 1985 with Steve Duke (bass, vocals) and Robert Labbe (drums, vocals) and played in until I left San Diego in February 1987.

Detail: Specimen/Tell-Tale Hearts/3 Guys Called Jesus flyer, May 16, 1986This performance of my song “Small Vegetables” dates from May 16, 1986, when 3 Guys opened for Specimen and the Tell-Tale Hearts at the North Park Lions Club. (Ray Brandes and I have swapped anecdotes about Specimen’s antics that night; the conditions were just awful at the time but made for a funny story in retrospect.)

Read more3 Guys Called Jesus
at North Park Lions Club, 1986

‘They’re playing our song’:
Covers and the Che Underground

(Ray Brandes looks under the covers of favorite songs by our songwriters.)

rachaelgordonFor a songwriter, it is both a peculiar and rewarding experience to hear one’s songs interpreted by others. Over the past 30 years I have been writing songs, I have had the honor and privilege of listening to cover versions of my songs on many occasions, and it never fails to leave me gratified. One of the first songs I ever wrote, “Crawling Back to Me” (which is the opening track on the Tell-Tale Hearts’ eponymous debut album), has been covered on record by numerous artists, including Spain’s Agentes Secretos, England’s Diaboliks and Australia’s
Shutdown 66.

imagesPerhaps my favorite cover of a song I wrote is Rachael Gordon’s “I Know You’re In Love Again,” which I contributed to her 2002 album “The Coming of Spring” on Subterrania Records. Rachael, an old friend and San Diego native, released the album to rave reviews, particularly in Europe. Germany’s Rolling Stone had this to say:

Read more‘They’re playing our song’:
Covers and the Che Underground

Songs for the DIYper set

(Paul Kaufman kicks out the jammies with new kid-friendly lyrics to old favorites.)

I’ve mentioned before that a little bundle of joy arrived at our house last fall.  Our daughter is six months old now, and she’s a wonder to behold. She’ll soon reach the age at which I have to stop singing the real lyrics to “I Wanna Be Your Dog” during our musical play times.

But I’m thinking that instead of discarding such classics altogether, how about substitution of age-appropriate lyrics? I think Dr. Seuss could probably help with a lot of these situations:

Somebody’s calling on the phone,
A voice says, hey, is Dee Dee at home?
Do you want to wear some socks?
Do you want to box a Gox?
Do you want wear some Gox box socks
?”

Read moreSongs for the DIYper set

‘I’m not ready’

“I want to write a piece about not being ready to deal with death,” writes our friend Mark Mullen, veteran Morlocks and Wallflowers drummer and all-around good egg. He’s given me generous permission both to quote him and to solicit the support of our age mates, who are learning to face this inevitable with greater frequency every year.

“My grandma died two days ago, and my aunt died a week ago, both to have services Sunday. …. Same day.

“I pretty much shut down and did not deal with it,” Mark writes. “Maybe if I wrote the story and had feedback and other people’s situation to see, maybe I would have dealt with it.

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Mods gone wild! Clairemont High ‘riot’ ’82

(Dave Fleminger provides video evidence and more of Manual Scan’s threat to the social order of 1980s San Diego.)

Talent show front page storyIn my senior year at Clairemont High, I managed to get Manual Scan onto the roster of the talent show, despite me being the only member of the band that attended the school. Also on the bill were the X-Offenders, who were all either currently students or alumni of Clairemont High.

During Manual Scan’s performance a quote-unquote “riot” broke out amid the audience, and the police were called in to restore the peace. … I think calling it a “riot” is more than a bit of an exaggeration, but I don’t want to diminish the fact that some friends of the band did get whaled on a bit by some of CHS’s football team. Or at least I had heard it was the football team that decided they had had enough of these crazy mod kids calling attention to themselves by dancing it up at the far edge of the aisle near the side exit — a smart spot for quick getaway.

Read moreMods gone wild! Clairemont High ‘riot’ ’82

Where on the Web … ?

When we started Che Underground: the Blog early in 2008, it addressed a void in our shared history: Searching online produced very little evidence of the bands and friends who tugged at the fringes of late-’70s and early-’80s San Diego.  (We started with a circle of bands who played the Che Cafe and other venues together in ’83 and ’84, then expanded out.)

The ground has shifted since then. This site itself is bringing in more than 10,000 visitors a month, including all sorts of new arrivals from the old days — but even more interesting to me, a slew of new online efforts are taking off, powered by Facebook, MySpace, YouTube and more. (I’ve recently been enjoying the Injections’ new Facebook page and Ray Brandes’ YouTube channel, to name just two vectors for San Diego underground history.)

Read moreWhere on the Web … ?

Glory reunited!

Glory on the beachReaders of Che Underground: The Blog who thrilled to Ray Brandes’ history of Glory will have an extraordinary chance to see the legendary San Diego band in action.

Glory (which dissolved in 1978 after a storied 11-year run) will reunite on May 26 to raise funds for the California Music Project and raise funds for music education in public schools. The event will feature Glory alumni Jerry Raney, Jack Butler and Jack Pinney as well as their current musical projects: the Farmers, Private Domain and Modern Rhythm, respectively.

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Club Zu Boat Cruise IV

Ahoy! Club Zu founder Kelsey Farris re-christens a seminal San Diego soirée.

Zu7OK GURL! I know you’re coming to my party, and if you wanted to invite friends, it’s great.

Here is a little background: Long-ass story, but when I was 17, I owned a club in San Diego called Club Zu for a few years and chartered these private parties on the San Diego Harbor.

Read Kelsey’s history of Club Zu!

Zu1Facebook has reconnected me with so many people who went to Club Zu in the early ‘80s and attended one if not all three of our Club Zu boat parties. Their requests to throw another started me asking around, and this event came together.

The insane invitations are photographs of friends from the era, and the incredible graphics are courtesy of Rodney Rodney in Los Angeles.

Read moreClub Zu Boat Cruise IV

Bamboohead’s back!

Bamboohead coverWe’ve cited Clayton Colgin’s Bamboohead among the influential ‘zines that helped shape the underground aesthetic of San Diego at the turn of the ’80s. In honor of the new millennium and the net, Clay has reimagined his brainchild as Bamboohead 3000, available now on a MySpace page near you!

First up: an interview with Sasha Pfau of the Hot Moon, “a young band in San Diego that I first saw about six months ago … who just continue to energize my sense of what a young modern young band can be about today in the 21st century.

Read moreBamboohead’s back!

The Mystery Machine in motion!

(Ray Brandes introduces long-lost film of a fleeting San Diego phenomenon.)

Mystery Machine3The folk-rock explosion of the 1960s was ignited by the release of the Byrds’ 1965 hit cover of Bob Dylan’s “Mr. Tambourine Man.” The group’s characteristic three-part harmonies, jangly 12-string guitar and folk-music sensibilities spawned hordes of sincere flatterers and helped boost the sales of contemporary artists who shared the same influences. Los Angeles became the epicenter of a shaggy-haired, granny glasses and moccasins-wearing subculture that included the likes of Love, the Leaves, the Dovers, the Bees, and the Mamas and the Papas.

the-mystery-machineEighteen years later and a hundred miles to the south, Carl Rusk, Ray Brandes, Mark Zadarnowski, Bill Calhoun and David Klowden made a valiant attempt to resurrect the folk-rock sound and style. For a brief, shining moment in a year that saw the birth of both the Tell-Tale Hearts and the Gravedigger V, the Mystery Machine kicked up a little dust and then vanished as quickly as it had appeared. There were only three public performances: August 12, 1983, at San Diego’s Headquarters; August 20, 1983, at Orange County’s Radio City; and the final gig August 26, 1983, at Los Angeles’ Lhasa Club.

Read moreThe Mystery Machine in motion!

The Che Underground