Performance History | The Che Underground

Mod flyer fun from the Fugate Collection

March 27, 2019December 29, 2008 by admin

Always seeking better ways to digitize your San Diego youth, the Che Underground blog today attempts a new delivery mechanism: a downloadable PDF file encapsulating more than 70 high-resolution pages of mid-’80s, mod-friendly flyers courtesy of Ken Fugate.

Every page of this magnum opus is a Proustian gem featuring performances by the Tell-Tale Hearts, the Morlocks, Manual Scan, the Trebels, the Nephews, the Nashville Ramblers, the Sovereigns, 39 Steps and many more. (I’m especially excited by the flyer hailing the debut of the Town Criers.)

The Ho Hos: “Judas Twist”

March 28, 2012December 28, 2008 by admin

Another Jeff Lucas composition for this mid-’90s San Francisco ensemble of San Diego expats.

Besides prompting me to write many songs I still like a great deal, the Ho Hos offered a great opportunity to sing new originals written by other songwriters. Both Jeff and Steve Lam came through with some amazing material.

I’ve always been crazy about “Judas Twist,” which I believe was recorded live at Hanno’s in the Alley with engineering help from the indefatigable Jason Brownell. It’s got more hooks than a bait shop, and the band blasts through it with trademark panache.

Watch the Ho Hos play “Gina Says/Infinite Prague”!

Matthew Rothenberg (vocals, guitar); Jeff Lucas (bass); Robert Labbe (drums); and Steve Lam (lead guitar).

Listen to it now!

The Wallflowers: “TV Eye”

December 31, 2010December 4, 2008 by admin

The night I met the Wallflowers, the Stooges’ “TV Eye” was playing on the stereo. I know it was the summer of 1983, when I met so many of you, and I believe my introduction was brokered via Rockin’ Dog Dave Ellison.

That moment forged a lasting connection in my mind between the Wallflowers and the Stooges, an impression that was reified by the Wallflowers’ blistering interpretations of the older band’s oeuvre — including “TV Eye,” presented here in all its synapse-rattling glory.

Per vocalist Dave Rinck, “‘Walldrugs’ and ‘TV Eye’ were recorded in a ‘studio’ at Music Power; ‘Raw Power’ was, too, but not until a little later than the other two.”

Peers who made it

April 23, 2012November 24, 2008 by admin

Here’s a topic that could spin in a few different directions: Many musicians from our circle have made wonderful sounds since our 1980s salad days. … Considerably fewer have made some money in the process. … But I don’t believe any of us hit the commercial jackpot in the music industry.

The wheels of that industry continued to turn, however, and musicians of our approximate age and subcultural pedigree did make it big in the late ’80s and early ’90s. (To start the ball rolling, I’ll throw out three names from our native time zone: Nirvana, Sublime and the Red Hot Chili Peppers.)

I know these big, commercial acts traveled many miles from our DIY roots (and from most of our musical discussions here). But that’s the point: What do you consider musical success, and do you hear echoes of our own aspirations in these huge revenue engines of decades past?

The Casbah turns 20!

December 18, 2017November 22, 2008 by admin

(Dean Curtis hails a major anniversary for a San Diego institution.)

In 1988, I finally got serious about a higher education. I previously tried college at SDSU in 1980/81 but it interfered with my social life and record-buying fund, so I dropped out. (I hated SDSU anyway.) But in 1988 I packed up the 1967 VW van, and me and my girlfriend Michelle headed off for Humboldt State University, after a fine summer living in the van and beach-combing up the California coast.

Soon after I left San Diego, the Casbah was opened by legendary San Diego show promoter Tim Mays (who with Laura Frasier operated the Skeleton Club in the late ’70s, and with Peter Verbrugge and Bob Bennett opened the Pink Panther in 1986).

Since he started the Casbah in 1989 (before moving it in 1994 down the street to its current location on Kettner and Laurel), Mays has also opened some great restaurants, including the Turf Club and Starlite.

The Morlocks: “My Friend the Bird”

January 1, 2011November 20, 2008 by admin

(Morlocks drummer Mark Mullen comes through with the video goods.)

This was a show we did at The Stone on Broadway in San Francisco in 1986 with Jordan Tarlow from the Fuzztones on rhythm guitar. It’s a 23-year-old VHS tape, so no complaining. I believe we did a real wild show somewhere the night before, so this was a little lackluster for The Morlocks.

The Morlocks are really a myth, cult, fantasy and intrigue to a lot of people across the US and around the world. I wish they all could have experienced the many great shows we put on, but that’s not the case. I wish I had excellent video footage of these times for everyone to see. This was a wild, wild time, and not much survived from the era. (I challenge anyone out there to cough up any footage if you have it.)

Rockin’ Dogs around town

January 1, 2011November 18, 2008 by admin

A long-sought contribution from recent blog arrival Lori Stalnaker-Bevilacqua: a flyer that puts a date (Feb. 10, 1984) to the legendary Saigon Palace gig featuring the Rockin’ Dogs and Noise 292.

This show (which found Sam Wilson covering all Rockin’ Dogs vocals while Dave Ellison recuperated from laryngitis and 17-year-old Wendell Kling evading ID inspection in the men’s room until Noise 292’s appearance) was also photographed by Ms. Stalnaker-Bevilacqua. But this is the first time we’ve been able to put it on the calendar. Mystery solved — thanks, Lori!

Bonus artifact: an ad featuring a July 29, 1983, appearance by the Rockin’ Dogs at the Headquarters (with the Ripsaws and Jimmy & the Vandals). I’m afraid I didn’t catch this show; the Answers, Noise 292 and Hair Theatre were playing the Che Cafe that night.

Hair Theatre: “What Should I Say”

January 1, 2011November 9, 2008 by admin

More Hair Theatre on YouTube, this time ca. 1984 with Paul Allen on lead guitar.

This video portrays the second major phase of what would prove to be the Che Underground’s longest-running group, enduring into the ’90s. (This is also the lineup that recorded the classic MP3s we’ve shared so far on the blog.)

When I first encountered Hair Theatre in July 1983, it was a four-piece with Howard Palmer on drums. By the end of the year, Howard had ceded the drum stool to Steve Broach, and Paul had added his guitar to Cesar Castillo’s.

Hearing “What Should I Say” after 25 years is another Proustian revelation to me; the tight songwriting and machine-gun delivery cuts through the murk of the video and taps wellsprings of love and admiration for this band.

Can anyone identify the venue? And who’s the young lady with the pink hair gyrating in the front row?

Che Games for May (2009)!

January 1, 2011November 3, 2008 by admin

Believe the hype: May 29-31, 2009, is the time and San Diego is the place for the Che Underground’s 25-year reunion and performance showcase.

A crack team of musical geniuses, party planners and cranky old hipsters is hashing out the details, which will be forthcoming in this space. But go ahead and book your E-tickets now for a long weekend in America’s Finest City!

Among the bands on track for the show, Che Games for May will feature:

The Answers
The Gay Dennys (featuring members of the Tell-Tale Hearts and the Crawdaddys)
Hair Theatre
The Mirrors
Noise 292
The Wallflowers
MC: Jeremiah Cornelius
DJ: Paul Howland

Rockin’ Halloween 1984

January 1, 2011October 31, 2008 by admin

(Not satisfied to supply the holiday tunes, the Brandes siblings come through with a swingin’ Halloween photo gallery for recovering SD scenesters! Claudia Brandes provides the back story.)

These photos were taken at the Halloween party that Zoe and I threw at her loft downtown in 1984. Zoe and I were great friends at the time, and we talked all year about wanting to have a huge Halloween party. She was the only person I had ever met, besides Kristen Schwartz, who loved Halloween as much as I did.

Kristen, in one image, is a “jigsaw puzzle,” and Zoe is George Washington. It was a great costume, and she was quite convincing! I was Peter Pan, which allowed me to wear my Beatle boots and a short skirt and still look cool. One photo has a very handsome young Peter Miesner dancing with Zoe.