The Sidewalk Scene plays “Richard Cory”

The Sidewalk Scene; Lestat's, July 30, 2011 (Dave Fleminger)It may be a new band on the block, but the Sidewalk Scene represents a veritable Murderer’s Row of San Diego musical talent. (Don’t miss your chance to see the band open for the Unknowns along with the Comeuppance on Sept. 3 at the Casbah — Day Two of a Labor Day weekend blowout that also features an evening comprising the Crawdaddys, the Amandas and the Baja Bugs.)

Buy your tickets now for the Crawdaddys and the Unknowns at San Diego’s Casbah, Sept. 2-3!

This video clip (accompanied by photos shot by Unknowns bassist Dave Doyle) portrays the Sidewalk Scene tearing into Paul Simon’s “Richard Cory” at Lestat’s July 30, when they headlined “Che Underground present Sounds of the Sunset Strip.” A great band with hundreds of years of San Diego history among them, delivering with the passion we’ve come to expect from these consummate musicians!

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From Spain, with love

(From across the Atlantic, here’s a graphical gift to celebrate the 30-year San Diego reunions of the Unknowns and the Crawdaddys. Ray Brandes sets the scene.)

Flyer: Crawdaddys/Unknowns; Casbah, Sept. 2-3, 2011 (Marc Argenter)This beautiful poster is a gift from artist Marc Argenter to the Che Underground. Marc, who lives in Barcelona, Spain, is also an accomplished musician and has played guitar and recorded with bands such as the Flashback Five and Els Trons for more than 20 years.

Marc jumped at the chance to design a poster for a show featuring the Crawdaddys, whom he first heard at the tender age of 16. He is well known in Spain as a graphic designer, and has an impressive portfolio of work, some of which can be seen here: http://argenter.blogspot.com/

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Che Underground meets Sunset Strip

(Sidewalk scenes and black limousines: On July 30, Che Underground presents Sounds of the Sunset Strip at Lestat’s Coffee Shop, featuring the Sidewalk Scene, the Ciros, Wendy Bailey & True Stories, and James Ruelas. Show organizer and Ciros reed player Lou Damian reflects on how Los Angeles’ sound of the ’60s influenced so many San Diegans who came of age 15 years later.)

Sunset Strip detailThe crazy thing about this July 30 show is that we relate to this music from the Sunset Strip of the mid- to late ’60s as our music, as the music we grew up with. But in actuality, we were just tots or infants when it was first published. There’s something about this music that stays within our fabric even today. When I hear a Byrds song or a Buffalo Springfield song, I know that I heard it as a young man on the radio. I know I heard that song when I was a year or two old. And it’s just another part of who I am.

The garage rock, psych rock, and blues and folk rock of that era is an important contribution to American music and the West Coast sound. This is what we always championed as our West Coast identity … in the so-called “Che Underground.”

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The return of the Unknowns

(Last chance to see: Ray Brandes reviews why this San Diego reunion of the band’s classic lineup is a very big deal indeed.)

Detail: The Unknowns' second lineupLabor Day Weekend is approaching fast, and tickets are selling briskly for the Che Underground’s long-awaited showcase featuring historic reunions by San Diego hometown heroes the Crawdaddys and the Unknowns.

The Crawdaddys have received some recent critical acclaim in both the domestic and international press for their shows in Los Angeles, Toledo and Madrid, while interest in the Unknowns reunion is heating up quickly.

The Unknowns’ reunion will mark the first time Bruce Joyner has sung with the group in 21 years, and the first time all the members of the group’s classic lineup have played together in nearly three decades! I spoke to the members of the band about the historical significance of the show and what it means to them personally.

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The Tell-Tale Hearts: From the vaults

(Ray Brandes shares a long-lost track from his formative San Diego band, created with some production wizardry from Unknowns sonic prodigy Mark Neill.)

The Tell-Tale Hearts group shotTowards the end of 1986, as the Tell-Tale Hearts were heading toward an inevitable break-up, we headed back into Mark Neill’s Swinging Studios in Dulzura, Calif., to cut what would be the band’s final recordings with its first edition. Neill had produced the band’s highly acclaimed six-song EP earlier that year, and we hoped we might be able once again to pick up a little of his studio magic.

The band’s line-up included Mike Stax; Bill Calhoun; David Klowden; Peter Miesner (who had taken over guitar duties from Eric Bacher); and myself. Three songs were recorded: The Scorpions’ “Too Many Lovers”; “Promise” (Brandes); and “Nothing You Can Do” (Brandes). The first two were released as a single on Australia’s Cavern 7 label the following year, but “Nothing You Can Do” stayed in the can. (Bart Mendoza’s Sound Affects magazine included the song on a giveaway cassette with one of its issues.)

I recently discovered a rough mix cassette recording of “Nothing You Can Do” and rescued it with a little help from Audacity. I hadn’ heard the song in more than 20 years. Listening to the recording brought back vivid memories of the sessions, which were held on a rainy Saturday in November, 1986.

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Welcome home, Dave Fleminger!

(Lou Damian salutes Dave’s relocation to San Diego after a 25-year absence and cuts the ribbon on a groovy summer night in the city.)

Sounds of the Sunset Strip flyer (Kristen Tobiason)Che Underground presents SOUNDS of the SUNSET STRIP: Saturday night 9pm on July 30, 2011, at Lestat’s Coffee Shop.

We always wanted to pay tribute to the bands we dug from this era … And now with the return of Flem to San Diego, the scene is set and we can move forward on this idea … We also decided to call ourselves The CIROS in honor of nightclub where the BYRDS made their debut.

Read moreWelcome home, Dave Fleminger!

Setting ‘Blood on Fire’

(On April 6, a group of San Diego music veterans backed local hero Gary Heffern when he returned from Finland to play the Casbah. Joe Piper recounts the 34 years leading up to his own part in the gig.)

Life’s funny…

When Gary Heffern’s Blood On Fire took to the Casbah stage earlier this month it was, for me, more than just an opportunity to play with some truly outstanding musicians who just also happen to be a group of the greatest guys you could ever hope to meet. It was more than a chance to take part in what is possibly the most enjoyable project I’ve ever worked on. It was all that and more —  it was a chance to take care of unfinished business.

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Penetrators and friends at the Casbah

(San Diego’s legendary Penetrators got together for a rare performance April 3, when lead singer Gary Heffern flew in from Finland for a short visit. Ace photographer Sean McMullen was in the audience and offers a wealth of images for us out-of-towners.)

It was a really good turnout with a true rogue’s gallery of old friends.

““I made a joke about there not being much of a pit, and someone said it was more of a “hug pit.” Haha. I definitely participated in that. All three sets (including openers the Loons and Social Spit) were high energy and rocked the joint well. The level of passion and musicianship was an adrenaline rush all the way through.


““““Personally, The Penetrators were one of the first bands I saw live as a 13- or 14-year-old kid at Golden Hall. I became friends with Gary in the last decade through Casbah shows and Facebook, so it was a joy to have him back here and interacting with all of the people I grew up with from that early age.

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Penetrators at the Casbah April 3!

Detail: The Penetrators onstageThis just in: Gary Heffern will be returning from Finland and getting the band back together April 3. That’s the date local legends the Penetrators headline San Diego’s Casbah with a little help from the Loons and Social Spit.

Heff says the event came together quickly after promoter Tim Mays approached him. “I got the e-mail from Tim on Friday, and by Monday airline reservations had been made … It’s kind of how I live my life … I believe in seizing the moment and running with it, instead of questioning all the details.”

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Pretty Things preview in Carlsbad

(Bart Mendoza invites the gang to watch Reelin’ in the Years’ new documentary and talk to panelists Mike Stax and David Peck.)

On Jan. 22, 2011, at 2 p.m., The Museum of Making Music in Carlsbad, Calif., will host a special exclusive advance look at Pretty Things: Midnight To Six 1965-1970, an upcoming film documentary from San Diego’s Reelin’ in the Years Productions, part of its British Invasion series. Admission to the museum includes the screening ($7; $5 for students, seniors and museum members).

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The Che Underground