Artifacts | The Che Underground

Have you ‘zine me? San Diego’s indy music mags

December 18, 2017August 11, 2008 by admin

Detail: Quasi-Substitute #2, 1980 (collection Dean Curtis) Another pillar of SD punk’s plastic arts (along with music, tattoos and flyers) were ‘zines, the samizdat publications created by luminaries such as Marc Rude, Harold Gee, Terry Marine and Clayton Colgin.

Over in the Che Underground forum (separate registration required), Dean Curtis and Toby Gibson, among others, have been bringing these treasures to light. One of Dean’s first contributions was Issue 2 of Quasi-Substitute, dating from 1980 and featuring the Crawdaddys on the cover.

Detail: Snare #1 (collection Dean Curtis) Its reappearance prompted this wonderful response from David Klowden: “Seeing this issue of Q-Sub triggered an intense emotional stew of white hot longing for that place and time, deep black terror at the passage of the years & a kind of fatherly love for my younger self that is beyond description.

The rise and fall of the Town Criers

March 27, 2019August 9, 2008 by admin

(Excerpts from the story of the pioneering late-’80s alt-country band by founder Ray Brandes. Read the full version in our Related Bands section!)

The Town Criers was a country-rock band that featured many of San Diego’s Che Underground musicians, including myself and Dave Klowden of the Tell-Tale Hearts, Peter Miesner and Mark Zadarnowski of the Crawdaddys, Tom Ward of the Gravedigger V, and Dave Ellison of the Rockin’ Dogs. The group predated the alt-country movement of the 1990s by several years.

The last few months of the Tell-Tale Hearts’ existence were contentious times. Eric Bacher had quit the band in 1986, and many of the original San Diego scenesters had either left town or simply moved on. By the time guitarist Peter Miesner of the Crawdaddys arrived to save the day, the rest of the band members had begun to feel the effects of nearly four years together, and relationships were further strained by meddling outsiders and substance abuse.

Introducing the Rockin’ Dogs

January 1, 2011August 7, 2008 by admin

Here’s a very early artifact from the Rockin’ Dogs’ oeuvre: a flyer introducing the band to Pacific Beach’s Headquarters club in August 1982.

“This was when we just started out, when we were in high school,” guitarist/vocalist Dave Ellison writes. “What an embarrassing flyer … haha! For one thing, we spelled ‘Headquarters’ wrong.

“For another, we didn’t play rockabilly or r&b. We were probably trying to attract fans of the Paladins and Crawdaddys … and we probably didn’t care which, so long as someone showed up. (I can’t imagine anyone did on a Monday night!)

The Morlocks: “You Mistreat Me” b/w “The Key”

June 30, 2009August 3, 2008 by admin

“You Mistreat Me” and “The Key” represent two more songs from the Morlocks’ historic show at San Francisco’s Swedish American Hall, recorded by KALX radio on Sept. 28, 1985.

“There were a couple of Swedish shows,” writes Morlocks strategist and MC Jerry Cornelius. “These were promoed by Paul Renna — another million years of tales attached to that name!

‘The first happened right after [guitarist] Ted [Friedman] went up to SFO to join the rest of the band. I was up there for the second — on my first full night after moving up, one month later. The bill was The Sea Hags, Thee Unforgiven and The Morlocks — with light show by The Brotherhood of Light.”

Lemons Are Yellow: “Jewish Like KISS”

January 1, 2011July 30, 2008 by admin

(Manual Scan/Lemons Are Yellow vet Paul Kaufman hails rock-‘n’-roll Yiddishkeit.)
David Klowden already perfectly summarized some pastrami- and tongue-in-cheek ethnic pride in a recent post: “I am putting together a seminar & book tour for my method: ‘Dave The Jew Shows You how to Make Beautiful Women Think You’re Cooler Than You Are in Ten Easy Lessons’ ™.”

In the spirit of David’s post (and our earlier “Hyphenates” thread), here’s “Jewish like KISS,” a musical number based on the irony of having one foot in the Ché Underground and the other in a cultural Old World. (Both had a healthy reverence for the historical.)

I thought it would be fun to have our own sort of self-referential “We’re an American Band”-type number, with all the required fake bravado. I threw in shout-outs to some of my favorite Jewish rockers, Joey Ramone (born Jeffry Ross Hyman) and KISS members Gene Simmons (Chaim Witz) and Paul Stanley (Stanley Eisen).

Hair Theatre/Synesthesia/Decision, Jackie Robinson Y

January 1, 2011July 27, 2008 by admin

A disc I received from Hair Theatre guitarist Paul Allen adds new showpieces to the Che Underground flyer collection. Today, a trio of flyers advertising a single show March 7, 1986, at the Jackie Robinson YMCA, featuring Hair Theatre; Synesthesia (the great band led by Noise 292 co-founder Kristin Martin); and Decision (another terrific band that featured drum god Paul Brewin, who’d most recently played with Manual Scan).

This set demonstrates the tendency of individual shows to generate multiple flyers, often featuring a different “headliner” depending on the band running the photocopier. Exhibit A also showcases the artistry of David Dick, a new addition to our roster of flyer talent.

The Ho Hos: “Snowball”

January 1, 2011July 26, 2008 by admin

This number ties up a few narrative strands and bridges the San Diego-to-San Francisco gap that defined much of our post-Che Underground history.

“Snowball” is a song I wrote for 3 Guys Called Jesus in 1986. It’s performed here by the Ho Hos, the mid-’90s San Francisco group of San Diego expats that comprised me on vocals and guitar; ex-Morlocks bassist Jeff Lucas; Robert Labbe (former drummer for 3 Guys, the Forbidden Pigs and myriad other outfits); and Steve Lam, a marvelous guitarist and vocalist who met us in SF by way of Hong Kong. (Speaking of musical Che-chairs, this was a dream lineup for me.)

Then and now: Studio 517

January 1, 2011July 25, 2008 by admin

(Roving correspondent/ photographer Kristen Tobiason revisits and documents the scenes of our youth. Today, Studio 517 sheds its leathers for pinstripes.)

Studio 517 was in full swing during the summers of 1982-’83. Managed by Steve Epeneter — a tall, idiosyncratic fellow nicknamed “Lurch” — its concrete walls housed outstanding performances by the Gravedigger V, The Tell-Tale Hearts, The Wallflowers, Personal Conflict, The Front and many others.

Sean McDaniels (inveterate troll of San Diego hangouts) recalls, “It was only open in the summer, and it was hot. We hung out on the sidewalk out front or in the park more than we did inside where the bands were playing. I remember there was a Chinese lady who used to yell at us from across the street.”

The Answers: “Home”

January 21, 2018July 24, 2008 by admin

Here’s Answers Phase Two in kinetic action!

“[‘Home’] is from a performance at King’s Road, Aug. 13, 1982, opening for Banner,” writes guitarist/ vocalist/ songwriter Dave Fleminger. “Luv the impromptu intro with [MC] Jerry [Cornelius].

“As always, Dave Anderson delivers the powerhouse drumming that propels the breaks right out of the gate. One minute and 40 seconds in the key of A, all about an unfamiliar place with dirty dishes that remind you of home.”

The Rockin’ Dogs at Saigon Palace

January 1, 2011July 18, 2008 by admin

Here’s a photo set from a memorable night in late 1983/early 1984 when the Rockin’ Dogs — guitarists/vocalists Dave Ellison and Sam Wilson; bassist Jane Bunting; and drummer Cole Smithey — took the stage with Noise 292 at Saigon Palace in what is now call the Gaslamp Quarter.

“The live color pics with Jane were the Saigon Palace!” Ellison recalls. “I was really sick, I had a fever and laryngitis really bad … to the point where I could do nothing but whisper for two weeks … so Sam sang all the songs that night.”