The Answers: “It’s OK”

(Answers guitarist Dave Fleminger shares a rockin’ track and the axe behind it.)

answers_its_ok“Ode to a Jazzmaster”
Back in ’83, you could walk into Guitar Trader on Clairemont Mesa Blvd. and pick up a vintage Fender Jazzmaster for $249. That was the tag price. Although the guitar had a neck of questionable authenticity as it had no headstock logo, it played great, albeit a bit buzzy with worn frets, and sounded BOSS (no, not in reference to Boss pedals … it was an authoritative-sounding axe).

That summer the Answers went into Soundtrax studio to record four songs. When it came time to track “It’s OK,” a fun, throwaway rocker that was my sideways ode to talking to myself and Ray Charles’ “What’d I Say?,” my Jazzmaster was deemed too grotty-sounding, and I was offered a spanky Telecaster that happened to be on hand at the session. I caved in even though I couldn’t play the Tele for crap, and the results sound way too clean on the recording … resulting in a version of the song that evokes the B-52’s, right down to the agitated, Fred Schneider-esque vocals, rather than the original garage-rock intent.

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The Answers: “Annual”

(Answers guitarist/vocalist Dave Fleminger discusses the genesis of another crucial track made more poignant by the years.)

Detail: The Answers’ Dave Anderson, Jeff Lowe, Dave Fleminger (collection Dave Fleminger)The Answers, “Annual,” recorded at Ewing’s SoundTech studios, one of 13 songs recorded one day in February 1983.

I originally wrote this song in advance of receiving my high-school annual. Even before I got the book I didn’t want to read it … I was already trying to form a picture of how my connections with my friends and classmates would last over time and how I would view that period of my life in retrospect … And now in retrospect, I see this more as a way to disassociate rather than feel and experience the process.

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More Answers (and questions) in flyers

Detail: Manual Scan/Answers Anders flyer, July 18, 1983 (art by Jerry Cornelius, collection Dave Fleminger)The Answers’ busy gigging schedule (at the Headquarters and other venues) between 1981 and 1984 generated myriad flyers by a variety of artists, many of them masterworks of psychedelic imagery. Much of the art was created by two towering figures: Jerry Cornelius and Answers guitarist/vocalist Dave Fleminger.

Of Jerry, Tom Ward writes, “Sooner or later, one way or another, we’ll have all of Jeremiah’s flyer illustrations. My junk is in storage on the other side of the country, but I made a point at the time of saving all the Cornelius flyers. You could see that each was an effort to top the previous one, and it was good work. I had the feeling a day would come when they’d be needed in an archival sense. … To me they were, after awhile, like the expressions of a local Aubrey Beardsley. … [T]hey added a real measure of class to the events they heralded, and were a distinct part of the flowering of our particular underground.

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The Ho Hos: “Creeping Vine (Love Is A … )”

Detail: Robert Labbe/Ho Hos fan buttonAnother number from the Ho Hos, the mid-’90s San Francisco group of Che Underground transplants that included me on vocals and guitar; former Morlocks bassist Jeff Lucas; Robert Labbe (ex-3 Guys Called Jesus drummer); and Steve Lam on lead guitar.

“Creeping Vine (Love Is A … )” comes from the same 1993 demo session that generated “Snowball” and was written by Jeff. Getting to sing material penned by Mr. Lucas was always exciting to me, and I am crazy about the way the lead guitar and rhythm section work together on this song.

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The Morlocks: “You Mistreat Me” b/w “The Key”

Detail: Morlocks in Golden Gate Park (collection Jeff Lucas)“You Mistreat Me” and “The Key” represent two more songs from the Morlocks’ historic show at San Francisco’s Swedish American Hall, recorded by KALX radio on Sept. 28, 1985.

“There were a couple of Swedish shows,” writes Morlocks strategist and MC Jerry Cornelius. “These were promoed by Paul Renna — another million years of tales attached to that name!

Morlocks’ Leighton Koizumi with Jerry Cornelius (collection Jeff Lucas)‘The first happened right after [guitarist] Ted [Friedman] went up to SFO to join the rest of the band. I was up there for the second — on my first full night after moving up, one month later. The bill was The Sea Hags, Thee Unforgiven and The Morlocks — with light show by The Brotherhood of Light.”

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Lemons Are Yellow: “Jewish Like KISS”

(Manual Scan/Lemons Are Yellow vet Paul Kaufman hails rock-‘n’-roll Yiddishkeit.)
Young Chaim WitzDavid Klowden already perfectly summarized some pastrami- and tongue-in-cheek ethnic pride in a recent post: “I am putting together a seminar & book tour for my method: ‘Dave The Jew Shows You how to Make Beautiful Women Think You’re Cooler Than You Are in Ten Easy Lessons’ ™.”

In the spirit of David’s post (and our earlier “Hyphenates” thread), here’s “Jewish like KISS,” a musical number based on the irony of having one foot in the Ché Underground and the other in a cultural Old World. (Both had a healthy reverence for the historical.)

I thought it would be fun to have our own sort of self-referential “We’re an American Band”-type number, with all the required fake bravado. I threw in shout-outs to some of my favorite Jewish rockers, Joey Ramone (born Jeffry Ross Hyman) and KISS members Gene Simmons (Chaim Witz) and Paul Stanley (Stanley Eisen).

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The Ho Hos: “Snowball”

Detail: The Ho Hos pop-up promo, 1994This number ties up a few narrative strands and bridges the San Diego-to-San Francisco gap that defined much of our post-Che Underground history.

“Snowball” is a song I wrote for 3 Guys Called Jesus in 1986. It’s performed here by the Ho Hos, the mid-’90s San Francisco group of San Diego expats that comprised me on vocals and guitar; ex-Morlocks bassist Jeff Lucas; Robert Labbe (former drummer for 3 Guys, the Forbidden Pigs and myriad other outfits); and Steve Lam, a marvelous guitarist and vocalist who met us in SF by way of Hong Kong. (Speaking of musical Che-chairs, this was a dream lineup for me.)

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The Answers: “Home”

Detail: The Answers’ Tony Suarez, Dave Fleminger, Dave Anderson (collection Dave Fleminger)Here’s Answers Phase Two in kinetic action!

“[‘Home’] is from a performance at King’s Road, Aug. 13, 1982, opening for Banner,” writes guitarist/ vocalist/ songwriter Dave Fleminger. “Luv the impromptu intro with [MC] Jerry [Cornelius].

“As always, Dave Anderson delivers the powerhouse drumming that propels the breaks right out of the gate. One minute and 40 seconds in the key of A, all about an unfamiliar place with dirty dishes that remind you of home.”

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The Answers: “Electric Flowers”

Detail: The Answers’ Dave Fleminger (collection Dave Fleminger)Music historians recognize three major phases of the Answers: the founding lineup that included guitarist/vocalist Dave Fleminger and bassist/vocalist Jeff Lowe as well as drummer Joe Asaro; a middle period during which Tony Suarez took over bass duties and Dave Anderson, drums; and a latter phase that featured Jeff’s return from LA. “Electric Flowers” inaugurated that third era in the band’s history.

“Here’s the Answers live at the Headquarters, Jan. 1, 1983,” Fleminger writes. “We kicked off the new year with our first show since Jeff rejoined the band, probably about a week beforehand.

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“He’s Calling You Tonight”

Detail: Sergio of Hair Theatre (photo by Cyndie Jaynes)A beautiful example of Che Underground musical chairs in action,
“He’s Calling You Tonight” brings together the talents of Dave Fleminger (Answers co-founder and sometime Hair Theatre guitarist) and Sergio (Hair Theatre co-founder and sometime Answers vocalist).

“This is a Sergio song we recorded on the 4-track with overdubs,” Dave writes. “I played the guitars, and Sergio played the drums.

“It showcases once again what a fantastic vocalist he is, and the double- and triple-tracked voice-lines are especially effective. I don’t recall playing this song with Hair Theatre while I was with them, and I’m not sure if it was part of the band’s standard repertoire.

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The Che Underground