This We Dug: The Rolling Stones

(David Rinck recalls the moment that made him a rocker.)

The other day, I picked up the obligatory copy of Keith Richards’ new autobiography “Life.” OK, no surprises — there’s some really interesting stuff in here, but it predictably enough reads sort of like “This I Took.” Maybe he should get a program?

Also, I happened to see the new(ish) Martin Scorsese live film of the Stones. “Shine A Light,” about a month ago, and I really didn’t think it was very good. I mean, come on guys: Christina Aguilera? Really? And poor ol’ Keith looks like he’s just exhausted. Well yeah, when you talk about the Stones nowadays, it’s hard to ignore the fact that these guys are getting a bit torn and frayed. But let’s be fair here …

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Even Dave Wallflower gets the blues

(Wallflower/Blues Gangster/BeatHog David Rinck waxes indigo and finds the musical treatment for it. What’s your prescription?)

Bluesy DaythumbThe other day I had the blues
I walked down the street in my old shoes
I know you won’t believe it’s true
But even Dave Wallflower gets the blues …

Yes, even Dave Wallflower gets the blues. Had ’em for a while now. Go’n through some hard times.

But that Sunday morning a few weeks ago in Liberia, brothers and sisters, I was down. I’d just come out on a long flight from Nairobi the night before, and I was tired. I headed out of the hotel and down those beat old streets for my early morning walk.

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‘Hold Me Closer, Tony Danza, and Count the Head Lice on the Highway’

(Ray Brandes offers a brief history of misheard lyrics in rock ‘n’ roll.)

The Kingsmen in NYMusic fans have long been thwarted by misinterpretations of lyrics mumbled by rock ‘n’ rollers, with often hilarious results called “mondegreens.” Numerous such misinterpretations were to be found in the Kingsmen’s 1963 version of Richard Berry’s “Louie, Louie,” and led to an FBI obscenity investigation after a parent wrote of her disgust with the lyrics to then Attorney General Robert Kennedy. In his book about “Louie, Louie” Richard Marsh describes the phenomenon:

Back in 1963, everyone who knew anything about rock ‘n’ roll knew that the Kingsmen’s “Louie Louie” concealed dirty words that could be unveiled only by playing the 45 rpm single at 33-1/3. This preposterous fable bore no scrutiny even at the time, but kids used to pretend it did, in order to panic parents, teachers, and other authority figures.

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The Che Underground