Reviving San Diego's Rock Renaissance
Thanks to the Cardiac Kidz’s Jim Ryan, Che Underground: The Blog has a fresh supply of artifacts from his band and other early participants in the San Diego punk scene.
Among Jim’s contributions is this chart from early 1980 composed by Dan McLain. It testifies to Dan’s role as underground historian and adds new fuel to the longstanding discussion of our family tree.
Che Underground: The Blog has been immeasurably enriched by our recent interactions with the Penetrators. As Ray Brandes has chronicled here, the Penetrators have been one of the most influential and beloved forces in San Diego’s music underground from the band’s genesis in 1977 until decades after its dissolution in 1984.
Good news for all their fans: Pens frontman Gary Heffern has given us the green light to announce a run of Penetrators-related fun at San Diego’s Casbah from Jan. 27-31, 2010 — including an evening presented by the Che Underground.
In the course of researching his his exhaustive biography of the Penetrators, Che Underground historian Ray Brandes referred to a seminal document that helped bring San Diego’s musical underground to a broader audience: San Diego Reader music critic Steve Esmedina’s diary of his six-day California tour with the Penetrators.
“Does anyone have a copy of that ‘Two Dollar Tour’ article from the Reader?” Rockin’ Dog Dave Ellison asks. ” When that was published, I thought it was the most glamorous, exciting thing I’d ever read … I saved it for years, but it’s gone now. I can still remember parts of it … like Dan McLain eating at Taco Bell and claiming that food with too many vitamins made him throw up!”
In honor of the pending 30th anniversary of this Oct. 18, 1979, article, I thought I’d share the copy Ray sent me (courtesy of Penetrators archivist Joe Piper). I’ve formatted it as printable PDF file and posted it for download here.
Read more‘Two Dollar Tour:
On the road with the Penetrators’
Ray Brandes is not only a San Diego musical treasure in his own right; he’s also established himself as a remarkable curator of our musical history.
Ray’s recent biographies of the Penetrators, the Unknowns, the Crawdaddys and the Zeros, among others, are unprecedented for their depth, narrative clarity, and comprehensive work with the original musicians and other key sources.
Other contributors to Che Underground: The Blog have added more pieces to the puzzle, with posts on formative bands such as 5051, Claude Coma and the IVs, and the Injections.
(Tell-Tale Heart/Town Crier Ray Brandes applies his narrative skills to documenting an influential early band from his own back pages. Read the full version in Che Underground’s Related Bands section.)
At the beginning of the summer of 1981, the Ideals (comprising 18-year-old Ray Brandes on lead vocals, 17-year-old Tony Paulerio on lead guitar, 20-year-old Maure Silverman on rhythm guitar, 17-year-old Paul Carsola on drums, and led by 14-year-old prodigy Carl Rusk on bass) were gearing up for a summer of Point Loma keg parties at $50 a performance.
The band, whose short career had reached a pinnacle opening for the Penetrators at Mission Bay High School’s prom, played mostly rockabilly and early rock and roll, with Eddie Cochran’s songs making up about 50 percent of our set list!
At the end of May, with Paul away on a summer vacation, Carl called up the Crawdaddys’ Ron Silva to sit in on drums. Ron knew Carl from years of Skeleton Club shows and had recently seen the Ideals play at the Zebra Club, so he was more than happy to oblige. The gig was to be a massive block party in Crown Point, but it never materialized because the set by the opening band, Stonehenge, resulted in several noise complaints.
Read moreLend Me Your Comb: A short history of the Hedgehogs
(Dean Curtis hails a major anniversary for a San Diego institution.)
In 1988, I finally got serious about a higher education. I previously tried college at SDSU in 1980/81 but it interfered with my social life and record-buying fund, so I dropped out. (I hated SDSU anyway.) But in 1988 I packed up the 1967 VW van, and me and my girlfriend Michelle headed off for Humboldt State University, after a fine summer living in the van and beach-combing up the California coast.
Soon after I left San Diego, the Casbah was opened by legendary San Diego show promoter Tim Mays (who with Laura Frasier operated the Skeleton Club in the late ’70s, and with Peter Verbrugge and Bob Bennett opened the Pink Panther in 1986).
Since he started the Casbah in 1989 (before moving it in 1994 down the street to its current location on Kettner and Laurel), Mays has also opened some great restaurants, including the Turf Club and Starlite.
“Brother P-Touch” is a song I originally wrote for the Ho Hos that became a flagship number for my last San Francisco band, the Amazons. I share it here with a San Diego twist and a fun anecdote about the power of Web distribution.
When I penned this number around 1993, I was writing about printers for MacWEEK magazine. The Brother P-Touch was and remains a very popular line of label printers. When I first heard the name, I pictured this lecherous messianic figure, kind of a cross between Rasputin and David Koresh, and built the song from there. The chorus leads with the exhortation, “Brother P-Touch — raise your arms!” I don’t think any of my San Diego expat bandmates ever realized I was evoking not only a charismatic preacher but the Penetrators’ song “Nervous Fingers,” during which those of us in the pit would raise our arms and wiggle our fingers.
The Che Underground site was first conceived to capture an interesting and undocumented moment in San Diego music history — but our scene was one significant limb among several in a tree with healthy roots and many branches.
To understand this fluorescence better, we’re undertaking something ambitious: a mapping project to lay out the history of San Diego’s rock-‘n’-roll underground. Step One is to solicit some general ideas about the shape of this family tree.
Here’s my first take, which is completely skewed by my age, my location and my own tastes. For me, the San Diego underground sprang in the late ’70s from three large, intertwined roots: the first wave of SD punks (Marc Rude et al.); great New Wave bands like the Penetrators and Unknowns; and a unique SD brand of retrovisionary cool, starting with Ron Silva and the Crawdaddys.