Skeleton Club vs. SDPD: The trial of Laura Fraser

Photo of Laura Fraser and Harold Gee, 1979A fabulous gift arrived just arrived for Che Underground: The Blog, and ultimately the San Diego Punk Archive!

Skeleton Club founder Laura Devlin (née Fraser) sent along a trove of photos, flyers, ‘zines and other ephemera of the San Diego punk scene in the late ’70s.

“I painted that sign myself, with some leftover house paint.” (Photo D. Reutter)

Her contribution comprises many posts’ worth of seminal rock-‘n’-roll history. Today, we’ll start with Laura’s own account of the rise and fall of the  Skeleton Club (which operated from 1978 to 1980 at 202 Market St., then 921 Fourth Ave.). Her tale illustrates the resistance, corruption and downright brutality San Diego music pioneers faced from the authorities at the turn of the ’80s.

Were you there for the Skeleton Club’s last night — or at the subsequent trial? Tell us about it in the comments below! 

Laura Devlin writes: A little bit of my personal history: In 1977, I was a nursing student at San Diego State, living with my boyfriend Greg Willis, bass player for the beloved Glory band. Greg was a wonderful man and helped me with the Skeleton Club, along with many other people.

Read moreSkeleton Club vs. SDPD: The trial of Laura Fraser

Then and now: Tim Mays, SD impresario magnífico

Tim Mays, 2020Those of us who came up in the San Diego scene at the turn of the ’80s were privileged to witness Tim Mays’ emergence as a promoter and club owner. Over the ensuing decades, it’s hard to think of anyone who’s done more to keep San Diego on the musical map.

To reboot our Then and Now feature, Tim has provided Che Underground: The Blog with an exclusive history of his career — and his insights about the future of live music in San Diego as we all contend with the challenges of the current COVID-19 pandemic. 

From there to here

I put on my first show in Barstow, the town I grew up in, in 1979. It featured a hard rock band from Orange County and a friend’s band from Barstow — smashing success.

Tim Mays, 1980After that, a friend and I decided to put on a show in East Hollywood at Baces Hall, which, unbeknownst to us, had been the site of a show a couple years earlier that ended in a riot. This show was Weirdos, the Plugz, Suburban Lawns, and San Diego’s Penetrators.

We turned away people at the door, and the next thing I know, I’m getting a call from Laura Fraser asking if I would be interested in becoming her partner in the Skeleton Club. This was early 1980. I gave her a check for $1,000 and became her partner. This was the second incarnation of the Skeleton Club and was located at the corner of Market Street and 2nd Ave, two blocks from the police station at the time. We got hassled constantly by SDPD and had to close down in May 1980 over permit issues.

Read moreThen and now: Tim Mays, SD impresario magnífico

Update from the Cardiac Kidz

(Dave Rinck a k a Wallflower keeps us posted on the Kidz’s revival.)

It’s been an honor for me play rhythm guitar for the last few months with this classic punk-rock band. This is a working band, and it has a new lineup, new CDs (I’ve never released two CDs on the same day before!), and new shows! Here’s an update:

THE NEW LINEUP:
Jim Ryan – bass and vocals
Jerry Flack – guitar and vocals
Jimi Flynn – drums
Dave Wallflower – guitar and vocals

Read moreUpdate from the Cardiac Kidz

Manual Scan at Bar Eleven

(Manual Scan co-founder Kevin Donaker-Ring talks about a cool new club in San Diego and a turning point for this enduring band.)

I’ve been working security for over four years now. Last September, I started working at Small Bar, owned by the same people that run Hamilton’s Tavern in South Park.

Dennis Borlek, the first person in San Diego I ever met who had a scooter, and who continues to be a San Diego music scene fixture, is the general manager there. Small Bar’s owners recently purchased the Radio Room (formerly the Zombie Lounge) on El Cajon Boulevard, just east of 35th St., and renamed it “Eleven.” (Yes, that’s a direct Spinal Tap reference.)

They improved the sound system and the acoustics (not to mention expanding the beers on tap by an order of magnitude). But anyone who has been into the San Diego music scene will want to visit this place — they wallpapered large sections of the bar with reproductions of vintage San Diego show flyers.

Read moreManual Scan at Bar Eleven

The Skeleton Club in flyers

skelcloseChe Underground: The Blog has written before about the legendary Skeleton Club, the backbone of San Diego punk that Laura Fraser and Tim Mays ran for a scant two weeks at 921 4th Ave. before reopening (always a half-step ahead of SD authorities) at 202 Market St.

skelbegNow Mikel Toombs enriches our store of Skeleton Club lore with a wealth of flyers, including announcements that accompanied the original venue’s opening and closing.

“The one about the Skeleton Club closing was handed out at the final show at the original Skeleton Club,” Mikel writes. “I don’t have any recollection of the other one.”

Read moreThe Skeleton Club in flyers

War Games

(Wallflower/Blues Gangster/BeatHog Dave Rinck recounts a major skirmish in San Diego punk history.)

I wanna say it was the summer of ’80 or ’81 …

In those days, punk rock in San Diego was pretty much like a club that met at a mutually determined location every weekend. A secret underground planning system worked out the details of the meetings and spread them with military precision through a highly effective communications network.

The system functioned like this: A secret cabal of “Organizers,” consisting of the highest ranking punk rockers (like Marc Rude and any member of F.O.N.O.), would determine the event from a menu of options that included:

Read moreWar Games

Gigs that hooked you

Detail: Zeros/DFX2/Exterminators/Injections flyer, Skeleton Club (collection Joey Miller)Hey! Let’s talk about music, and San Diego, and San Diego music …

A long, long time ago, Che Underground: The Blog hosted a thread about our musicians’ first times on stage. Let’s reach even further back into the collective memory banks and talk a bit about those formative shows that made you feel like part of a scene of interesting people listening to interesting sounds.

We’ve talked about many local bands and a slew of notable visitors at venues ranging from the Skeleton Club to the Zebra Club to the International Blend/Kings Road CafeAdams Ave. Theater to the North Park Lions Club et al.

Now, which ones came first for you, and why?

The Casbah turns 20!

(Dean Curtis hails a major anniversary for a San Diego institution.)

The Casbah — live since 1989In 1988, I finally got serious about a higher education. I previously tried college at SDSU in 1980/81 but it interfered with my social life and record-buying fund, so I dropped out. (I hated SDSU anyway.) But in 1988 I packed up the 1967 VW van, and me and my girlfriend Michelle headed off for Humboldt State University, after a fine summer living in the van and beach-combing up the California coast.

Soon after I left San Diego, the Casbah was opened by legendary San Diego show promoter Tim Mays (who with Laura Frasier operated the Skeleton Club in the late ’70s, and with Peter Verbrugge and Bob Bennett opened the Pink Panther in 1986).

Since he started the Casbah in 1989 (before moving it in 1994 down the street to its current location on Kettner and Laurel), Mays has also opened some great restaurants, including the Turf Club and Starlite.

Read moreThe Casbah turns 20!

Fleshing out the Skeleton Club

Detail: Skeleton Club flyer, April 11, 1980 (collection Jason Seibert)Punk goodfella-turned-celebrity chef Jason Seibert has donated a wonderful cache of flyers to the Che Underground archives. These artifacts span the late ’70s through the early ’80s and document events at the North Park Lions Club, the International Blend/Kings Road, the Zebra Club and the Skeleton Club.

Detail: Skeleton Club flyer, April 12, 1980 (collection Jason Seibert)It’s high time we take note of that last venue, which did so much to hone the cutting edge of San Diego music. (Full disclosure: Tucked away in North County, I missed out on the Skeleton Club during its brief but influential run at 202 Market St. and 921 Fourth Ave. under the management of rock-‘n’-roll nurse Laura Frasier and a young Tim Mays.)

Read moreFleshing out the Skeleton Club

Have you ‘zine me? San Diego’s indy music mags

Detail: Quasi-Substitute #2, 1980 (collection Dean Curtis)Another pillar of SD punk’s plastic arts (along with music, tattoos and flyers) were ‘zines, the samizdat publications created by luminaries such as Marc Rude, Harold Gee, Terry Marine and Clayton Colgin.

Over in the Che Underground forum (separate registration required), Dean Curtis and Toby Gibson, among others, have been bringing these treasures to light. One of Dean’s first contributions was Issue 2 of Quasi-Substitute, dating from 1980 and featuring the Crawdaddys on the cover.

Detail: Snare #1 (collection Dean Curtis)Its reappearance prompted this wonderful response from David Klowden: “Seeing this issue of Q-Sub triggered an intense emotional stew of white hot longing for that place and time, deep black terror at the passage of the years & a kind of fatherly love for my younger self that is beyond description.

Read moreHave you ‘zine me? San Diego’s indy music mags

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