Paul Kaufman | The Che Underground

Manual Scan in autofocus

December 31, 2010December 14, 2008 by admin

Bart Mendoza of Manual Scan and the Shambles comes through with a cache of photos, sounds and a video montage of Scan and its predecessors, the Pedestrians and Starjammer.

First up: a photo of three-quarters of the original Manual Scan lineup from 1981. The band had recently formed when Bart Mendoza and Kevin Ring of the Pedestrians (guitars) joined forces with Dave Fleminger (bass) and Paul Kaufman (drums). Says Bart (on the left), “Here is an early pic for the site, I’d love to hear what Paul remembers of this day. I think it’s a transitional pic, just post-Pedestrians, probably a few weeks after.”

Paul Kaufman responds, “It’s a blast to see this! Yes, I remember when we headed down to Balboa Park, which provided nice backdrops for a photo shoot … But where’s Dave in this photo?… You can tell I wasn’t able to keep up with the Mod attire. I think the jacket might have been a last-minute addition from the Ring wardrobe.”

This We Dug: The Red Krayola

December 11, 2017October 28, 2008 by Paul Kaufman

Hi everyone! Dave Wallflower here again. Underground culture is a worldwide phenomenon. It is everywhere. It is all around us. It is like the air we breathe, the water we swim in (assuming that we are fish). In this the third edition of This We Dug, you will learn about Red Krayola, a band that helped form the collective Che Underground consciousness. They were like some of the water we fish swam in. This issue of This We Dug was supplied by Che alumni Paul Kaufman and Dave Fleminger, two guys who in turn provided more than a little of the underground air we breathed.

Austin, Texas, made some very high-profile contributions to the psychedelic scene, notably Roky Erikson’s 13th Floor Elevators. But there were other bands in that scene you should check out. The Bubble Puppy album is cool. But my all-time favorite album from this time and place is the second LP by Red Krayola, “God Bless the Red Krayola and all who Sail with It.” This came after their half-song, half-“free form freak-out” debut LP “The Parable of Arable Land,” which provided the immortal “Hurricane Fighter Plane” (notably covered by Boo in the mid-’90s).

Sucking in the ’60s

April 21, 2012October 22, 2008 by Paul Kaufman

(Original recipe/extra crispy Manual Scan rhythm section Paul Kaufman and Dave Fleminger come to honor the decade, not to rile on it.)

Even the most hardcore among us admire some aspect of ’60s music and culture. And for some, this era still remains the zenith of everything that was cool. There were rapid changes in taste and style from one year to the next during that tumultuous time, and by the end of the decade the seeds of excess were already planted. So, we ask the simple question:

When did the ’60s jump the shark?

Some moments worth considering:

The assassination of Martin Luther King.
Death of Brian Epstein.
Death of Brian Jones.
Altamont.
Letting Phil Spector “produce” the Let it Be album.
Magical Mystery Tour.
Sonny Bono says “Music took a left turn.”

London Calling

April 21, 2012September 29, 2008 by Paul Kaufman

(Paul Kaufman of Manual Scan and Lemons Are Yellow reflects on the decline of empires.)

My favorite albums were always those that weren’t just a collection of songs but presented a unified picture of their time and place, a map to their own little world. Coming of musical age in the late ’70s, one notable example was the first Clash LP, which presented a rich portrait of London as a decayed and violent landscape where one struggled for survival. This echoed the theme of how the lost power and fortune of the British empire diminished the expectations of its current citizens; this was presented by many bands, from the Kinks to the Jam.

These were distant but clever and interesting voices, and very different from the “Morning in America” world view that pervaded the US in the ’80s. They seemed especially far from San Diego, where the nearly perpetual sunshine provides a completely different backdrop from London’s rain.

Record stores: Unchained vinyl

April 23, 2012August 13, 2008 by Paul Kaufman

(Manual Scan/Lemons Are Yellow vet Paul Kaufman recalls a time when music shopping meant leaving the house.)

If you’re like me, you spent many hours flipping through records at stores, looking for treasures.

As a small kid, I started out locally, on Garnet Ave. in Pacific Beach. The Wherehouse and Licorice Pizza were a couple of blocks apart, so when I was just learning my history, I could spend hours looking at album covers and picking up magazines at those places.

As a 13-year-old, something commercially available was usually on the top of my list (early Badfinger fixation), and those sorts of places usually fit the bill. For a while, Licorice Pizza had a cut-out bin that had some real finds. They also carried imports, and I have distinct memories of saving up the princely sum of $2.50 each to buy the early Sex Pistols and Clash 45s (with real art sleeves! And no big hole in the middle!). It was a double thrill, because it was the closest thing to international travel I would experience until I was much older.

Lemons Are Yellow: “Jewish Like KISS”

January 1, 2011July 30, 2008 by admin

(Manual Scan/Lemons Are Yellow vet Paul Kaufman hails rock-‘n’-roll Yiddishkeit.)
David Klowden already perfectly summarized some pastrami- and tongue-in-cheek ethnic pride in a recent post: “I am putting together a seminar & book tour for my method: ‘Dave The Jew Shows You how to Make Beautiful Women Think You’re Cooler Than You Are in Ten Easy Lessons’ ™.”

In the spirit of David’s post (and our earlier “Hyphenates” thread), here’s “Jewish like KISS,” a musical number based on the irony of having one foot in the Ché Underground and the other in a cultural Old World. (Both had a healthy reverence for the historical.)

I thought it would be fun to have our own sort of self-referential “We’re an American Band”-type number, with all the required fake bravado. I threw in shout-outs to some of my favorite Jewish rockers, Joey Ramone (born Jeffry Ross Hyman) and KISS members Gene Simmons (Chaim Witz) and Paul Stanley (Stanley Eisen).