The Frame

(In the first installment of a series, Che Underground: The Blog considers how a young San Diego show promoter became a Eugene, Ore., soup titan. Plus: a bonus after-party recipe from Mark! If you’d like your story told, e-mail cheunderground@gmail.com!)

The last time we were in the same town, you were playing in the Frame and promoting gigs in SD and Orange County at spots like Greenwich Village West, Big John’s and Club Cult. How did you move from there to the culinary arts?

I started at a steak-and-seafood joint as a dishwasher in Mira Mesa when I was in 10th grade, moved into doing salad station. There were all these “college” girl waitresses who would flirt with the new kid.

After that I got a job across the street at Chuck E. Cheese, doing pizza, and I would go out and do promos as the rat. My favorite was when they had me do an event for kids with Daryl Strawberry, then a Padre, who took me aside roughly when he thought I was upstaging him and whispered, “Take it easy, Chucky.”

I’ve likened Che Underground: The Blog to one of those God’s eyes many of us made in the groovy ’70s: While the original effort has been focused on a small set of bands playing together in San Diego in the early ’80s, much of the beauty has come from the warp and weft of wider connections.

Along the way, we’ve talked about many local bands that influenced us and some later bands that shared members or aesthetics with the scenes and sub-scenes at the tight core of the site.

A few examples: Ray Brandes has done unprecedented historical research on the Crawdaddys, the Zeros and the Unknowns, and participants themselves have told us tales about Claude Coma and the IVs, the Injections, 5051, the Front, the Frame, Atrocity Exhibition and Structural Fracture, among others.

So, whose story should we tell next? Let’s discuss local bands you’d like to learn more about!

There to Here: Mark Stern, Soup Nation

Who’s next? Bands that mattered