(Jeremiah Cornelius describes the genesis of one of the great lost collaborations of post-Che Underground San Francisco.)
“Sister Heat is on slow drip — Someone blew her fuses”
A critical, high-concept description of my input to “Sister Heat” is “The Damned cover Bauhaus” — both of which were inspirations and targets for satire. The resulting style is a sub-genre of Glam that I call “Mock Bombastic” – A hallmark of both Romulus Johnson’s Deep Six and King Therapy, which were to follow in the next years.
The words for this song were written during a whirlwind of confusion that seems temporally located in the first half of 1985. It was conceived of as one of a dozen or so songs that I’d penned for a vaguely imagined power-trio. The ingredients for this concoction were a rooted in my revulsion at the general idea of intravenous entertainment — and a specific dismay at the introduction of a couple of young ladies to the pastime. Add large doses of imagery from Michael Moorcock books, half-digested Nietzsche and a steady diet of histrionic rock performers, and you get the kind of song that Dave Rinck hates!
Read more“Sister Heat”
Thanks to Jeremiah Cornelius for providing this portrait of himself as “Romulus Johnson”, ca. 1988, after many of us had relocated from San Diego to San Francisco and a year or so after the dissolution of the original Morlocks.