The kid stays in the picture

(Hair Theatre guitarist Paul Allen describes one photograph’s journey.)

Detail: Paul Allen and Sergio, Hair Theatre (collection Paul Allen)This is one of 4 photos, as I recall, that [Hair Theatre vocalist] Sergio had given me before I moved to San Francisco in February 1989. I think Laura Swapp took them. I couldn’t tell you where we were playing. Like most of the clubs back then, the predominant color is black.

In the spring of 1992 I moved on a whim (the morning after the night I decided to go, after staying up all night) to New Orleans. Having prepared little, I ended up in an apartment with no furniture, stove or fridge. I’d turn on the light at night to find a virtual colony of roaches, beetles and crickets all scurrying for this giant hole in the closet floor. At this point I was so broke I was living on peanut butter & jelly and Thunderbird (a fifth chilled for $2.59!).

I entrusted a friend back in S.F. to sell my amp, stereo, books and records. The deal was he would keep 40 percent and send me 60 percent.

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If you were there, the Che Underground blog is your story, too. We’d love to hear and see your side of it.

Like PBS, we run on donations from viewers like you. This site is built on flyers, photos, audio and video from collectors including Kristen Tobiason, Toby Gibson, Cyndie Jaynes, Kristi Maddocks, Tom Goddard, Jason Seibert, Bruce Haemmerle, Mike McCarthy, Dean Curtis, Mark Mullen, Jeff Lucas, David Klowden, Cole Smithey, Bart Mendoza and Paul Allen. What rock-‘n’-roll treasures are growing crispy in your attic, your basement or  your mom’s house?

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Hair Theatre: “Rolling Soul”

Detail: Hair Theatre on stage (from crowd)From the same 1983 Lab Studios demo that brought us “Nightfall,” here’s Hair Theatre performing “Rolling Soul,” another signature number and staple of the band’s early-’80s repertoire. This track showcases the clean confidence of Hair Theatre’s early years and highlights the sophistication and charisma that vocalist/ songwriter Sergio demonstrated by age 18.

Detail: Hair Theatre’s Sergio at the micIt also commemorates the collaborative skills of Sergio and Answers co-founder Dave Fleminger (demonstrated elsewhere with a recording of Sergio’s “He’s Calling You Tonight.”) “Sergio and I wrote that song one afternoon at [original Hair Theatre drummer Howard Palmer’s Carlsbad] shack,” Fleminger recalls. “The song was part of the expanded ‘3 Daves’ Answers sets, including our ‘Painted Sun’ gig opening for the Unclaimed at the UCSD Rec Gym” April 14, 1984.

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Hair Theatre/Synesthesia/Decision, Jackie Robinson Y

Detail: Hair Theatre/Synesthesia/Decision flyer (collection Paul Allen)A disc I received from Hair Theatre guitarist Paul Allen adds new showpieces to the Che Underground flyer collection. Today, a trio of flyers advertising a single show March 7, 1986, at the Jackie Robinson YMCA, featuring Hair Theatre; Synesthesia (the great band led by Noise 292 co-founder Kristin Martin); and Decision (another terrific band that featured drum god Paul Brewin, who’d most recently played with Manual Scan).

Detail: Hair Theatre/Synesthesia/Decision flyer (collection Paul Allen)This set demonstrates the tendency of individual shows to generate multiple flyers, often featuring a different “headliner” depending on the band running the photocopier. Exhibit A also showcases the artistry of David Dick, a new addition to our roster of flyer talent.

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Hair Theatre: “Nightfall”

Detail: Sergio of Hair TheatreHere’s a keystone number in Hair Theatre’s brilliant repertoire: “Nightfall” is one of my clearest memories of this unforgettable band.

According to vocalist Sergio, this performance was part of a four-song demo recorded at the end of 1983: Hair Theatre’s second demo session and the first with lead guitarist Paul Allen.

“Nightfall” was recorded at Lab Studios in Carlsbad by James of Manifest Destiny. “James was very patient with us, very good,” Sergio recalls. “He was used to doing everything punk-style: one take and out. I insisted on a couple of tracks for my vocals,” and the band devoted multiple takes to making sure the sound was polished to a fine edge.

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