Reviving San Diego's Rock Renaissance
From Crawdaddy; to Tell-Tale Heart; to publisher of the definitive garage magazine Ugly Things; to author of Swim through the Darkness, the acclaimed 2016 biography of lost Los Angeles musical prodigy Craig Smith … Mike Stax requires no introduction here to establish his bona fides as a pillar of the San Diego music underground.
Nevertheless, I wanted to share the high of “Blue Ether,” the new single from the Loons, Mike’s main band since 1995.
(Bart Mendoza invites you out for an evening of free music to celebrate the debut of “String Theory.”)
On Friday, Dec. 30, Wendy Bailey & True Stories will celebrate the release of their new album, “String Theory,” with an event at Bar Pink, 3829 30th St., in San Diego’s North Park.
For this special show, the band will perform two sets. In the first, the quartet will play the new album in its entirety, plus a few old favorites. In the second, Wendy Bailey & True Stories will be joined by special guest musicians for a run through of a dozen choice R&B and rock-‘n’-roll classics — a different guest for each song.
“String Theory” is the debut album from Wendy Bailey & True Stories, featuring lead guitarist and vocalist Wendy Bailey; bassist Billy Fritz; guitarist Bart Mendoza (Manual Scan, the Shambles et al.); and drummer Danny Cress (the Coyote Problem, Skid Roper and more).
(Bart Mendoza of Manual Scan and the Shambles counts off drummers he’s worked with.)
No doubt about it: Kevin Donaker-Ring and I have worked with a lot of drummers over the decades, keeping in mind that we first began our team-up in 1976.
Here are a few of the incredible musicians who have spent time behind a drum kit with Manual Scan or the Shambles over the past 30-plus years. Not pictured: Paul Brewin, Morgan Young, Terry Moore, Rob Wilson, Trace Smith, Brad Kiser. … There’s a future post there.
1) “I was a Shambles drummer” pin. People have sat in with the band for one song to obtain one of these.
(Bart Mendoza of Manual Scan and the Shambles talks about how he got from there to here.)
Of course the various members of the Shambles knew each other for years before the band’s formation, but I can put down the beginnings of the band to two events.
In the late ’80s, Kevin Donaker-Ring co-produced Manual Scan’s “Days & Maybes” EP with Ray Brandes (side note: humorous liners by Mike Stax), and we were all part of a group of musicians that frequented Megalopolis on Fairmount Ave., often playing round-robin style — David Moye and Jon Kanis amongst the round-robiners who didn’t end up in the band (though we did back up Kanis on a compilation-album track).
