Ready for ‘A Che Underground Leap Night Showcase’?

Dave Fleminger (Sean McMullen)Most rock-‘n’-roll historians know San Diego’s Che Underground scene as a mad scientist’s lab for musical experiments at the top of the ’80s.

Named for notable shows they staged at UC San Diego’s Che Café — but active across the region — the bands of the Che Underground brought together artists steeped in punk, psychedelia, garage and more. Throwing their influences into a high-speed blender, bands like The Answers, Hair Theatre, Noise 292, The Rockin’ Dogs, The Tell-Tale Hearts and the original SD Wallflowers provided a soundtrack for Southern California youth culture.

Four decades later, those musicians and artists continue to kick out the collective jams — and on Feb. 29, some of the best minds of that generation will stage a family reunion at the Riviera Supper Club & Turquoise Lounge for “A Che Underground Leap Night Showcase.” The night’s lineup of Che Underground supergroups will feature two stars of the scene who haven’t performed in San Diego for more than three decades: Jeremiah Cornelius and Tom Clarke.

Read moreReady for ‘A Che Underground Leap Night Showcase’?

The original SD Wallflowers: ‘Funland’

Wallflower lead singer Dave Rinck playing pinball, early '80sBy popular demand, another Wallflowers classic from the recent Canadian airlift joins the Che Underground play list. Wallflowers lead singer Dave Rinck has famously referred to “Funland” as the “anthem” of the first Wallflowers lineup, and bassist Paul Howland writes of “Funland”: “That one is probably my single favorite Wallflowers tune. That one and ‘Rubber Room’ kind of cover the whole Wallflowers sound for me.”

“Pinball was quite important to the original Wallflowers,” Rinck writes. “We hung out in arcades a lot (especially Funland downtown, which inspired a song of the same name), and at one point I even acquired a pinball machine, which we played for 24-hour marathons.”

Listen to it now!

Mark your calendars: Jerry Cornelius returns!

  As we prepare our Che Underground family reunion for Leap Night 2020, a highlight of this magnificent evening is a musical set fronted by by none other than Jeremiah Cornelius — back on a San Diego stage for the first time in decades.

Jerry Cornelius was a legendary presence on the scene: writing, illustrating, managing, MCing and otherwise setting the tone of the entire Che Underground. His taste was impeccable, and his influence extended across the bands of the era.

Check out the details of ‘A Che Undeground Leap Night Showcase’!

Read moreMark your calendars: Jerry Cornelius returns!

Hair Theatre, ‘What Should I Say’

Hair Theatre on stage (video still)Sweeping onto the scene from northernmost San Diego County in 1983, Hair Theatre made its mark with a brand of American Gothic that was far ahead of its era.

This rare video of “What Should I Say” shows Hair Theatre at the peak of its power and offers a glimpse of the charisma that would make the band a legend among music cognoscenti.

The date was Dec. 28, 1984, and the venue was the Gaslamp Quarter Theater, where Hair Theatre appeared with Penguins Slept and Orange County’s Society.

Read moreHair Theatre, ‘What Should I Say’

The Rockin’ Dogs, ‘Bye Bye Bye’

Detail: Rockin’ Dogs Dave Ellison, Sam Wilson (collection Cole Smithey)Looking for the origins of Poway’s legendary Rockin’ Dogs? Dating way back to 1982, “Bye Bye Bye” is the first studio demo from the band, featuring the original Dogs lineup.

Writes Rockin’ Dog Dave Ellison, “This is from the historic Rockin’ Dogs San Marcos Sessions, featuring the earlier lineup of Sam Wilson on guitar/vocals; Dave Ellison on bass/vocals; Jim Meisland on guitar; and Scott Nichols (a k a Scott Slob) on drums.

“In 1982, we had a rented practice room in a metal building in San Marcos, which was owned by Vietnam vet auto mechanics. They used to work on cars in that building all night long. We used to practice until late at night, and they gradually grew tired of our racket and evicted us.

Read moreThe Rockin’ Dogs, ‘Bye Bye Bye’

The Loons: ‘Blue Ether’

From Crawdaddy; to Tell-Tale Heart; to publisher of the definitive garage magazine Ugly Things; to author of Swim through the Darkness, the acclaimed 2016 biography of lost Los Angeles musical prodigy Craig Smith … Mike Stax requires no introduction here to establish his bona fides as a pillar of the San Diego music underground.

Nevertheless, I wanted to share the high of “Blue Ether,” the new single from the Loons, Mike’s main band since 1995.

Read moreThe Loons: ‘Blue Ether’

John Nee: From UCSD’s student impresario to Marvel Comics maestro

Congratulations to John Nee for his high-profile hire as the leader of Marvel’s comic-book pack, where he’s taking over as publisher in the wake of Dan Buckley’s promotion to president of Marvel Entertainment. “As the Marvel publisher,” writes ComicBook.com (which got the exclusive), “Nee will oversee the health of the comics line both print and digital [and] be tasked with ensuring the quality of the line, managing budgets [and] guiding marketing.”

John has been a legend in the comics world for decades. He ascended to president of WildStorm Productions, then joined the executive team at DC Comics when DC bought WildStorm in 1999. John rose to Senior Vice President of Business Development at DC before staking an independent claim as co-founder of Cryptozoic Entertainment in 2010.

Like the rest of the heroes portrayed on this blog, John Nee arrives at his new job with his own Che Underground origin story.

Read moreJohn Nee: From UCSD’s student impresario to Marvel Comics maestro

Hair Theatre opens for Devo at Iguana’s: The Juni Bravo archive

Sergio, Hair Theatre, at Iguana's (Sept. 28, 1989)An online discovery has created a new Che Underground mystery to solve.

I ran across this video of the mighty Hair Theatre playing Iguana’s in Tijuana. Now I want to know how it made its way to YouTube and who-all is on the other half-hour of tape!

Some clues:

  1. The gig is dated Sept. 28, 1989, and the master VHS is credited to the “Juni Bravo archive.” It was posted to 3.Cameras.and.a.Microphone by someone who writes s/he knows nothing about the band and incorrectly identifies this San Diego North County group as Mexican.)
  2. Google and Facebook tell me that Juni Bravo was a friend to many of our San Diego circle and had relocated to Austin before she passed away in February 2015.
  3. At the end of the 11-minute segment, lead singer Sergio announces that “Devo is next.” A Google search reveals that Devo played two nights at Iguana’s: Sept. 28 and 29, 1989.
  4. Besides Sergio, the lineup onstage includes Cesar Castillo on guitar; Sergio Castillo on bass; Steve Broach on drums; Sam Wilson (I think?) Simon Holehouse on lead guitar; and John Murray on flute, harmonica and percussion.
  5. After the first 12 minutes, the balance of the 41-minute tape contains scenes from a Revolt in Style fashion show at … The San Diego Sports Arena, perhaps?

Read moreHair Theatre opens for Devo at Iguana’s: The Juni Bravo archive

Paul Howland tunes up with Unsteady

  • PI’ve followed with delight the evolution of monster bass talent (and OG SD Wallflower) Paul Howland into a dubstep DJ — a testimonial to the kind of reinvention a creative mind embraces, regardless of genre or gear.

However, this 35-year fan of Paul’s fret work is always excited when the man picks up an axe and takes his talent analog.

So I’m gleeful about his recent appearances on six strings, playing with Unsteady, a ska band with which he toured nationally and recorded two albums in the 1990s.

Paul’s first tour of duty was on bass as part of a lineup organized in 1992 by saxophonist/vocalist John Roy. Other members of the era included keyboardist Kevin “Baby” Hewitt as well as guitarist Creedy Bates and drummer Kent Graves, both veterans of venerable San Diego ska band the Donkey Show.)

As of December 2017, Roy and Hewitt are still going steady with Unsteady, along with an expanded lineup that features a full horn section and two guitars.

Re-enter Paul Howland, who’s been gigging with the band in recent months — his first public appearances as a guitarist.

(Footage by Curtis Meacham, November 2017. To see an extended set, visit his Facebook page.)

Read morePaul Howland tunes up with Unsteady

King Therapy (Jeremiah Cornelius):
‘The Air That I Breathe’

Portrait of King Therapy, a k a Jeremiah Cornelius.

There to here: After a lengthy radio silence, Che Underground: The Blog returns with the long-rumored musical resurrection of the scene’s sharpest ear and most astute culture critic. Listen to his first release while reading King Therapy’s process and prospects. 

King Therapy is the alter-ego of a secret-identity by Jeremiah Cornelius, created for the presentation of some musical thoughts and ideally, collaboration by like-minded musicians in the roles of various Dissonauts.

“The Air That I Breathe” is the first track completed for a prospective EP of cover songs that are in various stages of near-completion. I always like this song’s ability to poise on a knife-edge between sincerity and pure corniness.

Read moreKing Therapy (Jeremiah Cornelius):
‘The Air That I Breathe’

The Che Underground